Aenne Goerling

First adaptation of Hans Fallada's novel of the same name.

The stenotypist Margit is supposed to take 3,000 Marks to the bank for her boss, Mr. Plaumann, but she lazes away the time window-shopping, and eventually stands before a closed door. She follows Plaumann to Dresden, where he, believing the money is deposited in a bank as a down payment, wants to purchase a newfangled remote control from the inventor Lambach. Since Plaumann’s car breaks down on the road, Margit arrives before him and rests in the seemingly empty hotel room which later turns out to be Lambach’s. Meanwhile, Lambach himself is being spied on by the jealous cousin of his fiancée, who can’t wait to catch him in the act…

A series of stupid coincidences causes the young Munich painter Paul to convert his uncle's castle into a hotel for four weeks. But he can't complain: business is good and he has plenty of guests. For exmple, there's Theo Muller with his revue troupe. For reasons of "sound", Muller calls himself "Miller", which, of course, causes more confusion. His daughter, the beautiful Evelyn, is confused with Mabel Miller, who has come to the hotel on a mission for her filthy rich father ... namely, to estimate the worth of the castle.

No plot available for this movie.

In the very old-fashioned town of Ostend suddenly 13 suitcases are delivered to the Grand Hotel, with a note, that O.F. will be here soon and needs 6 rooms. This event, probably the biggest in 300 years, starts a small wave of modernisation, yet everybody is wondering who O.F. is.

During WWI a German agent receives an order to find out when the Russian army will carry out its expected attack against the German lines.

Jimmy Bolt, a singer and dancer (and occasionally as a waiter) works at a varieté. The man may be talented, but he’s not exactly a big success, and things get complicated when a young orphan girl falls in love with the voice of another singer but then mistakes Bolt for him…

Das Lied ist Aus (The Song Is Ended) is a typical early-talkie German musical in every respect, save one. The story, concerning the lives and loves of show folk, ends unhappily -- and surprisingly so. The doleful denouement didn't seem to have much effect on the film's box-office appeal, since Das Lied ist Aus proved a major moneymaker.