
Denis Lavant (born June 17, 1961) is a French film actor known for his distinctive face and the physically demanding aspects of the roles he plays, which often involve slapstick, acrobatics or dance, as well as for his long-standing association with director Leos Carax. Lavant has played the lead role in all but one of Carax's films. Lavant is also known for his starring roles in Claire Denis' Be...
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In 2060, after decades of heat waves and water shortages, the government places the elderly in air-conditioned facilities intended to protect them from the heat, but where access to water becomes a means of control.

Affected by the powerful images in the pamphlet Om kriget kommer (If war comes), farmhand Karl-Göran Persson begins fortifying his house. Through years of harvesting scrap-metal, he transforms the house into a fortress, meant to protect him and his neighbors when the enemy attacks. As the task progresses, reality and the threat of future destruction become intertwined, and construction becomes an obsession for the lonely Karl-Göran.

A story about death at an airport

No plot available for this movie.

Céline arrives in Armenia for the first time to legalize the death of Arto, her husband. She discovers that he has lied to her, that he fought in the war, usurped his identity, and that his former friends consider him a deserter.

In the working-class neighborhoods of Nice, a pillar of the local Georgian community is murdered. His son Tristan, who aspires to become an orthodox priest, finds himself finds himself alone with his grieving mother. Gabriel, his older brother with a troubled past, reappears from a long exile to make amends by redeeming his family honor.

In the business district of La Défense, a wave of suicides expose the fractures of a crumbling society. Strangers move through the streets like ghosts, bound by the invisible threads of paranoia. In the eerie glow of a collapsing city, destruction may be the only chance for rebirth.

Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother's funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague. He quickly slips back into his usual routine.

The director delves into the fragments of his own memory, blending images, words, and silences in a film essay that explores identity, memory, and the impossibility of coherent self-narration. A broken self-portrait, reconstructed from the image.

No plot available for this movie.
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