Denis Lavant

Affected by the powerful images in the pamphlet Om kriget kommer (If war comes), farmhand Karl-Göran Persson begins fortifying his house. Through years of harvesting scrap-metal, he transforms the house into a fortress, meant to protect him and his neighbors when the enemy attacks. As the task progresses, reality and the threat of future destruction become intertwined, and construction becomes an obsession for the lonely Karl-Göran.

Freeing himself after spending a hundred years trapped in a glacier, the ghost of the filmmaker Lucien Castelnau wanders through a futuristic Patagonia, where technological progress clashes with forgotten stories. Unable to rest while his cinematic legacy remains unseen, he crosses a world that has deleted him from its memory, in search of a place in history and of spectators, who can finally bring his lost work back to life.

A stop-motion doomsday comedy, in which airport-bound creatures wait out the impending apocalypse.

19th-century Colombia. Karl and Petronella, a young Swedish couple, sail in search of fortune. The river carries them through desolate lands ravaged by the independence war. Their adventure loses its course, slowly swallowed by a strange and distorted time in which nothing but the reflection of their nostalgia and the ghost of the alienating unknown remains.

No plot available for this movie.

Céline arrives in Armenia for the first time to legalize the death of Arto, her husband. She discovers that he has lied to her, that he fought in the war, usurped his identity, and that his former friends consider him a deserter.

In the working-class neighborhoods of Nice, a pillar of the local Georgian community is murdered. His son Tristan, who aspires to become an orthodox priest, finds himself finds himself alone with his grieving mother. Gabriel, his older brother with a troubled past, reappears from a long exile to make amends by redeeming his family honor.

In the business district of La Défense, a wave of suicides expose the fractures of a crumbling society. Strangers move through the streets like ghosts, bound by the invisible threads of paranoia. In the eerie glow of a collapsing city, destruction may be the only chance for rebirth.

Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother's funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague. He quickly slips back into his usual routine.

The director delves into the fragments of his own memory, blending images, words, and silences in a film essay that explores identity, memory, and the impossibility of coherent self-narration. A broken self-portrait, reconstructed from the image.