
Michèle Cotta (born 15 June 1937) is a French political journalist. Her father was the mayor of Nice. She started her career as a journalist for Combat. She moved on to interviewing politicians for L'Express, under the tutelage of Jean-Jacques Servan-Schreiber and Françoise Giroud. Between 1981 and 1986, then-President François Mitterrand appointed her as Head of Radio France, followed by the Hau...
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Christophe Dechavanne recounts the provocative, scandalous, and irreverent television of the 1980s, 1990s, and 2000s, which he experienced from the inside. From political programs to talk shows, entertainment to news programs, no genre escaped its sometimes provoked, often unexpected missteps, which amused, shocked, and even upset the public. Thanks to the testimonies of Léa Salamé, Michèle Cotta, Marie-Laure Augry, Enora Malagré, Patrice Carmouze, Alain Bougrain-Dubourg, Michel Field, Benjamin Castaldi, Eric Naulleau, and Marc-Olivier Fogiel, this documentary takes us behind the scenes of these cult sequences of French television.

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Fourty years ago, in May 1981, with François Mitterrand's election, some people were letting themselves dream about a better life while others were predicting the coming of soviet tanks upon the Champs-Élysées. If we gladly remember the turning point of austerity in 83, there were also the wage rises, the fifth week of paid leave, the abolition of death penalty, the decriminalisation of homosexuality, or the advent of independent radio stations. Rare archives and accounts by those who were at the heart of this story give an overview of it and shed light on lesser-known aspects.

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In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.

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After years of poverty, Carrier, a repairman, inherits a large sum of money upon his brother's death in an accident. Now rich, he decides it is time to make his mark and be known at any cost. Becoming more and more mentally unstable, he begins to threaten police and the government signing his tracts, "Armaguedon". A detective from Interpol heads the investigation and prepares a trap at an international conference of world leaders in Paris.
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