Costa-Gavras

Ten years after the first documentary, the legend of the Palme d’Or… continues. Some new laureates of the Cannes trophy relive, for us, the very special moments surrounding the awarding of the Palme d’Or.

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Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

To honour the 40th anniversary of her death, multiple personalities share their feelings and thoughts about the life and career of the fabulous and bold actress Romy Schneider. Among them, Alain Delon, icon of French cinema and Romy's first great love, reads her the love letter which he wrote her forty years ago, the day after she passed away.

Fatou Cissé accompanies her father, malien director Souleymane Cissé, through a trip down his film career, painting an intimate and poetic picture of one of Africa’s most celebrated actors.

Austrian actress Romy Schneider (1938) and French actor Alain Delon (1935), once fervent lovers in the early sixties, maintained a close friendship and a certain working relationship after their breakup until her death in 1984: a universal and eternal love.

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A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.

Armin Mueller-Stahl was one of the few Germans to become a celebrated Hollywood actor. He had to start all over again several times: after the Second World War, after his break with the GDR and finally in Hollywood. He often decided to take the risk of possible failure. The documentary also shows his life as a musician and painter and, above all, as a person.

The narrative wanders through Rosi’s films, not in the order they were shot but following the chronology of the historical facts they deal with. The documentary therefore not only narrates Rosi’s work, but also portrays half a century of Italian history.