
Marek Andrzej Piwowski (Polish pronunciation: [ˈmarɛk piˈvɔfskʲi]; born 24 October 1935 in Warsaw) is a Polish film director and screenwriter. He is best known for his cult film Rejs (1970).
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A parliament member's sixteen year old daughter Agatha falls in love and runs away with a convicted young tramp, while her father uses his friends in the government and police to brutally break their happiness.

More and more mourners join a queue for the stonemason. He is played by Jan Himilsbach (1931-1988), an untrained actor, ("Rejs" 1970) and prose writer ("Przepychanka" 1974). In the film, he works at the Powązki Cemetery in Warsaw. Some of the people begin to argue about the queue order: Piotr Fronczewski (actor), Marek Piwowski (director), Władysław Komar (athlete, actor). Himilsbach wakes up and talks about his gold rush dream with Jack London and Martin Eden. More people join the bar where he waits for 1 p.m. (alcohol is sold then). They ask him for a loan, Zbigniew Buczkowski (actor) is one of them. On the set, Himilsbach is asked to act consciously, however, he is mainly interested in the amount of his fee. Surprisingly enough, he talks about actors and their mission during a meeting with young people in the park. In his dreams, the man sees himself as a seductive satire (colored part). At the very end of the day, the protagonist performs in a cabaret group.

The protagonist is preparing for a year-long business trip to Hungary. The trip appears to be a promotion, but in reality it is tantamount to losing his position. At the same time, his wife has already started an affair with his deputy, who is also his successor.

The film is a story of a young man coerced into undercover work for the police, in return for their dropping of charges against him. He is to befriend a leader of a gang of juvenile delinquents who plans big robbery of a jewelry store. The scheme works and the gang is caught in the act except the gang leader.

The main character is a bookkeeper, 40, who lives a quiet, uninteresting life with her husband and son of school age. She realizes that soon she won't be needed much at home as the boy grows up and the relationship with her husband crumbles. It's only when an embezzlement is discovered at the office and she stands up to her management, that she realizes life has more to offer. She meets a well-off former classmate, married to an American. Then she meets Jacek and starts contemplating possibilities of a new start. She discovers love for the first time, but turns to old ways rather than to break loose.

Strange human-shaped phenomenon appears in Piotrowski's new flat and he approaches all available institutions to help him get rid of it.

18 years old boy struggles to make decisions about his future.

Fragmented and chaotic. Reality in Królikiewicz's works is usually incoherent, in a state of disintegration, permanently damaged, painfully marked by history. The moral and cultural crisis is clearly visible. You can even see it… by the swimming pool.

The 1966 visit of Hollywood movie star Kirk Douglas at the legendary Polish State Film School in Lódz.

Walkover, the autobiographical second feature by Polish enfant terrible Jerzy Skolimowski echoes the French nouvelle vague in its extraordinarily stylized tale of a prizefighter who ducks a fight to romance a beautiful blonde.
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