Mónica Galán

Brisa’s daily life alternates between the world of show business, appearances, and the stark reality presented by his son Hilario, who fell into poverty as a result of his addiction to drugs. The film portrays an intense fragment of Susana and Hilario’s story, the difficulties that arise when she tries to keep her professional commitments, the elegance with which she manages to avoid the low blows and her pain; but, fundamentally, the film reveals how this woman faces a difficult process without losing her dignity or sense of humor.

Abril tries to find meaning in her own life. In the process, her perception changes; her skin transforms to the point of becoming a new one.

Julio works for an accounting firm, at the beginning of the '50s. Celina, his wife, married him without knowing that he was addicted to gambling. This problem leads him to increasingly denigrating situations. Celina, who has lost contact with her upper-class world, meets a friend from the past again and meets Alberto, who seduces her. Little by little, Julio enters into an irreversible debacle.

David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.

A retired boxer is willing to do anything to return to the ring and conquer the woman who never wanted to reciprocate him.

Guided by a fortune teller's revelation, Russian Countess Ivana Malova arrives in Argentina intending to raise beautiful Angora goats, animals not native to the area, on a small piece of land called "Campo Cerezo" (Cherry Field). There live Doña Juana Cerezo and her granddaughter Nucha, who has just been released from prison on parole for her involvement in a bank safe deposit box robbery. As the Countess weaves her web and advances her plan to take over Campo Cerezo, Nucha discovers that the jewels the police were never able to recover are buried there.

A portrait of the life of the celebrated Spanish composer Manuel de Falla, whose final years were spent in Alta Gracia (Córdoba, Argentina). Mónica Galán plays a researcher whose thesis focuses on the musician's involvement in the conflict between Republicans and Francoists. Luis Luque portrays Ulises, a journalist who helps reconstruct Manuel de Falla's story.

A sexy Spanish siren named Elvira schools a young man in tantric lovemaking.

No plot available for this movie.

A methodical man falls for a pregnant woman with a very particular life story.