Bernard Noël

This three-part movie begins with a young woman married to an older, cold-hearted man in the year 1200. Two rivals have a swordfight over the affections of the woman. Part two takes place in 1910 and finds an amorously unfaithful wife taking on her many lovers while her unsuspecting husband lurks nearby. The final part finds a count and countess engaging in extramarital affairs in France during the 1840s.

Since the car accident that caused the death of his wife, the comics author Stéphane Destouches sinks into alcohol and wanders the roads of Morocco.

We are in 1814, in Auvergne, in the dark fir forests of Livradois, near La Chaise Dieu. Gaspard and his beautiful cousin Anne-Marie see their love thwarted and their lives disrupted because of a treasure that an old uncle, who made his fortune in Guadeloupe, buried in the mountains of Auvergne.

A superficial woman finds conflict choosing between her abusive husband and her vain lover.

In a chain reaction of romantic adventures, various people play musical beds in a remake of Max Ophul's "La Ronde."

The swaggering Petruchio agrees to marry the spitting hellcat, Katherine.

Depressed Alain Leroy leaves the clinic where he was detoxified. He meets friends, acquaintances and women, trying to find a reason to continue living.

Fernand has just inherited a saloon in Texas from an uncle in America. Despite his inheritance, he is considered an intruder. Soon he's the victim of a cruel plot: accused of murder, arrested and kidnapped by Indians and gangsters. A young, beautiful, pure-hearted Indian, moved by Fernand's kindness, accompanies him back to the village. She's sure to become the owner of the Texas hotel.

After being hurt in the face, Count de Roger Tinchebraye is forced to hide his disfigured face behind a leather mask. Dispirited for a while, he decides to become a Casanova-like seductor. When he meets true love, cynical Roger does not believe in it and lets pure Judith marry an old marquis. But once Judith's husband dies, he sees Judith again, shows her his disfigured face, which does not discourage the young woman from loving him. Nevertheless, he distances himself from her forever

The short stories of Guy de Maupassant enjoyed a renaissance in the early 1950s, thanks in great part to the Max Ophuls production Le Plaisir. In Trois Femmes, three De Maupassant stories are dramatized, each conveying the central theme of women falling in love. In the first, a black female carnival entertainer causes an uproar when she falls in love with a white soldier. In the second, a young bride is pressured into having a baby to collect a huge inheritance. And in the final episode, a pregnant girl is "adopted" and protected by a small circle of friends. In standard De Maupassant fashion, each of the three stories in Trois Femmes is capped by a surprise twist.