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Lunga is excited to join a Soccer Club but is selected for the D team. His father will see this as a failure, a team with girls and a female coach. When bullies try to keep him off the field, it's only his father who can help. But will he?

While visiting a massacre memorial, a photographer finds herself drawn to a local woman. But their romance stirs up painful memories of a shared past.

Three friends come together to defend their valuable mining company from…aliens?! What could possibly go wrong?

A poignant coming of age story and exploration of a friendship between a young white boy, and the two adult black men he has grown up around, against the backdrop of the oppressive, divisive apartheid laws of the time. Although society dictates their education are worlds apart, Sam has helped guide Hally from boy to manhood, educating him about the realities and injustices of the world, while Hally in turn teaches Sam what he has learnt at school. Their friendship has taken on an almost fatherly role for Hally, as he struggles with the strained relationship with his alcoholic father. During their debates and reminiscing on the rainy afternoon, Sam and Willy talk about their dreams of winning a ball room competition—their 'world without collisions'—a metaphor for their aspirations and yearning to create a better life for themselves. The peace is broken with the news Hally's drunken father is returning home, unleashing an anger in Hally that leads to an unprecedented bigoted outburst.

Doris decides to fight crime and become a local Superhero..

Set in 1962 MANDELA’S GUN is a political thriller, based on Mandelas African Odyssey. As Commander-in-Chief of the Liberation Army Umkhonto we Sizwe (the MK) he undergoes military training in Algeria and Ethiopia while surviving assassination attempts and betrayal. In South Africa he is finally arrested with the connivance of the CIA In the crucible of the surging African Liberation Movements of the early 60s not only does he study the art of war but also leadership and political survival. MANDELA’S GUN is a thrilling biopic, supported by eyewitness accounts from Mandelas advisors and comrades.

After losing rugby’s holy grail, the Currie Cup, Schuks (Leon Schuster) sets off on a hilarious journey to pay for what he has done. In lieu of a R1 million fine, the Sports Minister (Desmond Dube) offers Schuks a lifeline to create a documentary film that shows South Africa in a positive light.As the documentary takes shape, the Currie Cup traverses its own perilous journey as it moves from two clueless crooks, Bossie (Ivan Lucas) and Savage (Gerrit Schoonhoven), to an enterprising traffic officer and a conniving pawnbroker, among others.True to form, the “documentary” features a series of brand new candid camera gags for which Schuster is so well known, featuring unsuspecting South African citizens and a host of famous personalities and celebrities - both past and current.

Nothing for Mahala is a comedic film that follows Ace (Thapelo Mokoena) into his deep and unpleasant hole of debt and financial woes. Ace who likes to play the part of the high flier is forced to get money from illegal loan sharks, which eventually lands him into some legal trouble. The result is Ace doing community service at an old age home, where much is learnt about finances, life and what really holds value.

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

A failed track coach finally finds someone who he believes has what it takes to win. The Comrades Marathon is a 90-k race in South Africa. An aging running coach, Barry, wants to field a winner; he's working with four men from a factory, but when he's fired to make way for a smooth, corporate type, he's at loose ends. Then he sees Christine, a Namibian immigrant who runs to forget her troubles. He offers to coach her and soon she's living at his house, following his diet and training regimen. But his single-mindedness gets to her: she wants a job and a place of her own. Plus, the man who replaced Barry likes her and wants her away from Barry. Can runner and coach (woman and man, African and European) sort out their complex relationship before the race? Written by
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