Jessica Alexander

Home from college, Lucy reunites with family including pet chimp Ben. Ben contracts rabies during a pool party and turns aggressive. Lucy and friends barricade in pool, devising ways to survive the vicious chimp.

The youngest of King Triton’s daughters, and the most defiant, Ariel longs to find out more about the world beyond the sea, and while visiting the surface, falls for the dashing Prince Eric. With mermaids forbidden to interact with humans, Ariel makes a deal with the evil sea witch, Ursula, which gives her a chance to experience life on land, but ultimately places her life – and her father’s crown – in jeopardy.

Follows a woman desperate to escape her town, she meets a stranger who promises a romantic escape, but it results in deceit, mistrust, and violence.

Widowed mother Holly is radically tested when her teenage daughter Betsey experiences a profound enlightenment and insists that her body is no longer her own, but in service to a higher power. Bound to her newfound faith, Betsey refuses to eat but loses no weight. In an agonizing dilemma, torn between love and fear, Holly is forced to confront the boundaries of her own beliefs.

A mother and her three daughters — romantic Bee, sensible Evie, and child of nature Daisy — occupy the titular glass building, which has been completely sealed off to protect its occupants from a dementia-inducing toxin called the Shred that’s poisoning the air outside. Fearful of becoming like the lost souls who wander the abyss outside, the family keep a grasp on their past by performing sacred rituals. When Bee breaks the rules and lets an injured stranger into their midst, the family dynamic is shattered forever, as hidden truths upend the illusions the women have worked so hard to protect.

The apocalypse has arrived and the only way out is in the back of a truck. A middle class family flee the city. The truck stops to pick up new passengers, triggering a meltdown of the family dynamic. But who will make it to the end?

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.