
Yves Afonso (13 February 1944 – 21 January 2018) was a French actor. He was born in Saulieu in the Côte-d'Or département. Since his uncredited debut in the movie Masculin, féminin in 1966, he had many roles, both in movies and on television. He normally plays supporting roles, and may have been best known for his role as Inspector Bricard in L'Horloger de Saint-Paul, and the black comedy Week End,...
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A teacher is suspected of engaging in a 'special relationship' with a pupil. When said pupil disappears, the rumour gains momentum. Especially because two years earlier, another of the teacher's teenage pupils also disappeared.

A lawyer, her assistant, and a dentist witness the execution of a man in the middle of Paris and are forced to flee to escape the criminals. They find themselves in the middle of nowhere in the countryside... For their safety, these three city dwellers will have to live together and pretend to be farmers... Will they succeed, or will they be exposed?

No plot available for this movie.

No plot available for this movie.

Loosely based on "4.50 from Paddington" by Agatha Christie.

In 1923, Albert Londres, the famous reporter, travels to the French penal colony in French Guyana. First, officers try to hide the truth, but leaded by his own instinct he begins an investigation alongside the authorities. He didn't expect to find such inhuman conditions. He meets a prisoner, Camille, and his wife, Claudia, who's in French Guyana to find a way to free her husband. He decides to help her.

Eve falls in love with Sébastien, one of the chefs in her husband's restaurant, but risks the scorn and contempt of her friends and relatives when she stands by her lover even after her spouse is diagnosed with an inoperable cancer.

An old man in dressing gown and slippers is abandoned by his family on an area of highway while on vacation. He later finds himself in a hospital where a nurse, Gégène, calls him Mischka.

The stage director of the play L’œuf de Pâquesis given the importante Molière award. Taking this reward for a bad joke, he thinks that a conspiracy mounts against him and decides to rewrite the play, transforming it into Molière’s La critique de l’École des femmes.

The victim of a serious accident, Camille finds himself in a strange, huge, rehabilitation centre run by Professor Helpos. He soon teams up with a group calling themselves "the wreckers" and who make their own rules, ignoring those of the medical establishment.
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