Jacqueline Huet

No plot available for this movie.

This film is directly inspired by Asterix, created by René Goscinny and Albert UDERZO, chronicles the adventures of a little boy, Antoine, entered the world of antiquity by studying its history lesson and two Romans, and TICKETBUS PROSPECTUS, who prefer to leave their life of legionnaires and discover the lifestyle of Gaulois.Antoine meeting Asterix cartoon form, which explains certain peculiarities of life in Lutetia.

Three tramps in search of adventure and fortune decide to try their luck at swindling. After an initial failure at shoplifting, they take over a bateau-mouche and exploit tourists in their own way.

The habits and customs of a strange association, "La Sociéte des Gentlemen Redempteurs", which has turned assassination into a veritable art form. But all the fine mechanics of this secret organization go haywire when each member offers his wife to become the next victim.

After a planned robbery on an armoured car the investigating police officer encounters a female journalist who specialises in criminology, and who he suspects may have had a role in the heist.

Professor Chardin has just killed a man. Before calling the police to turn himself in, he burns some leaves and a notebook in the fireplace. Secret agents in the street with listening devices flee when the police arrive. The professor refuses to be defended by a lawyer and to explain himself, but his friend Professor Carter and his wife come to his support and he agrees to explain his crime of inventing the H-bomb, the secret of which was stolen from him by his collaborator Rossi at the very moment when he had given up his research, convinced by Albert Einstein's pacifist plea and other personal circumstances.

Véronique Lanier runs one of the most highly rated haute couture houses in Paris. Her first partner is her husband Pierre, who has left aside a promising artist career to design the styles which make their firm a success. The trouble is that Véronique lives only for her job and does not allow herself -and her husband for that matter - a moment's respite. In Cannes, Pierre meets Wanda, a young singer with strange, fascinating eyes. The frustrated husband falls for her but gradually realizes that the light mercurial creature cannot possibly fulfill him. Véronique, feeling miserable, understands she is on the wrong track. She promises Pierre that she will make efforts to reconcile work and married life. Véronique and Pierre will live and work together again, each one forgiving the other for their faults.

Micheline Bertier is as wise as she is graceful, and is the perfect assistant to her boss, couturier Maurice Darnal. Darnal's business is faltering and he has to close down. Micheline's family is also in trouble. Her crazy-headed sister is about to steal her fiancé away from her. At the suggestion of singer Jacqueline François, Micheline goes on tour as an accompanist, and meets up with Darnal in Nice, full of projects he wants to involve her in. Micheline, who arrives in time to save her sister from a suicide attempt, will know how to run the new fashion house.

Madeleine Villardier is terribly superstitious, and she's in a lot of trouble for the New Year's Eve party she's planning. Inexorably, the number of guests is down to thirteen. To add to her dismay, the presence under her roof of a certain Consuelo is proving cumbersome, especially as this lady has revelations to make about Antoine Villardier's stormy past. The mistress of the house's trances alternate with marital explanations. But why not consider the fateful number as a lucky charm?

Paul Dorgères, a wealthy industrialist, has been mysteriously murdered. The investigation is entrusted to the experienced Chief Inspector Bonnardel and his young rookie assistant, Inspector Richard. Suspicion turns to his mistress Catherine Villard, with whom he had just broken up on the night of the crime. She is soon arrested and charged. However, Inspector Richard discovers a button at the scene of the crime which could help him to trace the trail and confound the culprit(s).