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Jo Jones, a young defense plant worker whose husband is in the military during World War II, shares a house with three other women in the same situation.

Gildersleeve, running for office, is aided by two ghosts and hindered by a mad scientist and an invisible woman.

Youthful Father Chuck O'Malley led a colorful life of sports, song, and romance before joining the Roman Catholic clergy. After being appointed to a run-down New York parish, O'Malley's worldly knowledge helps him connect with a gang of boys looking for direction, eventually winning over the aging, conventional Parish priest.

A sister act finds itself stranded and broke, and teams up with a medicine man who is promoting a child talent contest.

On a trip to New York, a small-town blowhard gets caught between a wealthy widow and a gold digger.

Gildersleeve has jury duty.

Somewhere in Europe, in a city occupied by the Nazis, a gentle school teacher finds himself torn between collaboration and resistance, cowardice and courage.

A small-town blowhard runs for water commissioner while fighting to win custody of his niece and nephew.

Shadows on the Sage is a 1942 American Western "Three Mesquiteers" B-movie directed by Lester Orlebeck. The Three Mesquiteers, Tucson, Stony, and Lullaby arrive to help Sheriff Lippy fight the outlaws. But when the gang leader Curly Joe captures Tucson and notices the resemblance, he assumes Tucson's identity.

Because of the war, a 12-year-old boy from England, Hugh, is sent to live with the Andrews family in Ohio. Don, the Andrews' 11-year-old son, eagerly accepts the English boy, and is happy when his school-friends do the same. But his isn't so happy when things begin to change when his father fore-goes their evening game of Chinese Checkers to play chess with Hugh, and Hugh shows himself to be a formidable scholar, and impresses Don's girlfriend Betty, and becomes more popular with the boys than Don was...and Don is beginning to think that Hugh is too much of a good thing. Don gets downright depressed and decides to run away. Uh, oh, here comes Hugh.
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