
Michel Subor (born Mischa Subotzki; February 2 1935 - January 17 2022) was a French actor who gained fame playing the lover of Brigitte Bardot's character in La Bride sur le Cou (1961). In Hollywood Subor starred in Clive Donner's What's New, Pussycat? (as lover Philippe) and in Alfred Hitchcock's Topaz (as Claude Jade's husband, the journalist François Picard). His most important role was his Bru...
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A special version of ‘Dans le noir du temps’ for viewers in Ramallah and the Gaza Strip.

Claire Denis juxtaposes Michel Subor’s mirror gesture in Jean-Luc Godard’s Le Petit Soldat (1960) with its reprise nearly forty years later in Beau Travail (1999). Through rapid montage, the short reflects on time, memory, identity, and the passage of cinema history, while paying tribute to Godard.

In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.

Marco returns to Paris after his brother-in-law's suicide, where he targets the man his sister believes caused the tragedy – though he is ill-prepared for her secrets as they quickly muddy the waters.

A young farmer in Central France tries to sustain his spiritual connection to the land amid the crushing pressures of modern agriculture in this brooding drama.

Who hides behind Brigitte Bardot? Extraordinarily photogenic, a tumultuous love life, the ultimate sex symbol for the 1950s and 1960s, the actress, singer and animal rights activist left an indelible mark on her era. Despite over 30,000 photos published in the press, her true personality has long-remained in the shadows.

In the midst of a volatile regime change in a Francophone African state, Maria Vial is fighting to sustain her family’s coffee plantation. With rebels and the army struggling for control, French peacekeeping forces move out, warning the remaining white residents that they’re on their own. But Maria refuses to be driven off the land, even as tragedy looms.

An emotionally cold man leaves the safety of his Alpine home to seek a heart transplant and an estranged son.

Western: an old bounty hunter.

Conceived as a reflection on the theme of time at the turn of the millennium, "Dans le noir du temps" functions as a Pandora’s box which hides all the horrors of the world: the last moments of youth, fame, thoughts, memory, love, silence, history, fear, eternity and, of course, cinema.
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