Walter Jakob

Sixteen-year-old Lola is studying for her resits when the possibility of a semester in Germany comes up. Lola wants to go, but her family, bogged down by her elder sister's psychiatric problems, don't want her to make the trip. The lack of stability and exhaustion in the ties with her family prompt Lola to go ahead with her idea and set out to find new experiences that make her see both herself and the circumstances that surround her with different eyes.

It’s winter holidays and fourteen-year-old Ana discovers that the metal plate she has in her arm from an accident she suffered as a child is now receiving a strange message in Morse code.

Lenny Goldman is an awkward and lonely college student who gets carried away by the inertia of his surroundings. The idle time of summer threatens to exacerbate his vocational crisis.

With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine.

Inspired by true events. Buenos Aires, 1979. Bill Evans, the great jazz pianist, arrives in Argentina for a series of concerts. One of them is in San Nicolás, a town in the province of Buenos Aires. Evans (a heroin addict for twenty years), along with his two musicians and his manager, get into the Argentine businessman's car. On the day of the concert, they learn they will be playing during the "Miss Winter 1979" pageant. Out-of-tune piano, boxing, drugs, death, memories, whiskey, and empanadas. In a town similar to his childhood, the impossible and the true collide for Evans.

For over six years, Javier and Valeria have been trying to get pregnant. At work Javier is approached by Camila, a coworker, and tells him she is pregnant with his baby. In the following days, his relationship—indeed, his entire existence—starts to fall apart.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

The theatre as a courtroom, the courtroom as a theatre. Alejo Moguillansky’s film draws loosely on Raúl Quirós Molina’s El pan y la sal (The Bread and the Salt), a 2015 verbatim theatre piece compiled from the testimonies provided during the 2012 trial of Judge Baltasar Garzon, for investigating the forced disappearances of the Spanish Civil War and the Franco regime. Juxtaposing the testimonies of the relatives of those who lost loved ones with references to Argentina’s and Chile’s recent dictatorships, this film explores issues around international law and forced disappearance - tracing a line between Francisco Franco, Augusto Pinochet and Jorge Videla’s Military Junta: Garzón has investigated Argentine torturers and criminal perpetrators and had Pinochet arrested in London in 1998 for crimes against humanity.

Eliana, a teacher who is going through a psychological crisis, leaves her house in search of human contact. Wandering through a distant and hostile city, she discovers a male prostitution ring that employs both young adults and minors. This service is regularly used by Marina O., a theater director who is controversial for her violence. Their obsession with these young males will unleash a chain of events with tragic consequences.