Jean-Claude Biette

The title reflects the brand of a financial institution, the bank of the Saltim family: Frederic, the younger brother, runs the family bank; his brother Bruno rejected the position of executive director, and chose to fund a theatrical company. Around them, there is a net of family members, friends, and acquaintances who seem to swirl around the banking brothers. Frederic and Bruno are both trying to control the future of their beautiful niece, Vanessa. The coffee shop owners Eve and Jim complicate everybody's life with their intrigues and lies. A strange stage director comes from his foreign exile. And lack of funds suddenly reveals the true colors of everyone - in banking, on stage, and everywhere.

A thirty-three-minute documentary featuring interviews with director Pier Paolo Pasolini, actor-filmmaker Jean-Claude Biette, and Pasolini friend Ninetto Davoli.

Pierre Léon ingeniously condenses and updates Dostoevsky’s novel about a 19-year-old intellectual reconnecting with his estranged family in his impressive debut feature.

No plot available for this movie.

Elegantly and carefully, Léon trains his sights both on Chekhov’s famous play written in 1896 and on its earlier, lesser known version entitled "The Wood Demon" (1889), combining the two.

A young man returns to the family home to face a childhood trauma: his brother's suicide, but nobody in the family is willing to help him.

Felicie and Charles have a whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in a cold Paris with a daughter as a reminder of that long-ago summer. For male companionship she oscillates between hairdresser Maxence and the intellectual Loic, but seems unable to commit to either as the memory of Charles and what might have been hangs over everything.

The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.

Karl, a young killer is to kill Kate, an adventurous lady living in a mansion by a lake. He approaches her but fails to kill her. Instead, he falls in love and becomes her lover ...

Anne-Marie Stretter, the wife of a French diplomat in 1930s India, takes many lovers to relieve the boredom in her life.