Shahadat Hossain

The story revolves around a man named Azad. In the midst of his post-divorce depression, Azad contemplates suicide but is saved by Shyama during a trip to the Sundarbans. Their connection leads to a tumultuous marriage where Azad becomes a victim of a family curse, seemingly affecting his sanity and trust in Shyama. However, a startling revelation by their mutual acquaintance, Osman, unveils the true nature of Azad's psychological torment.

At the hospital morgue, Baishakh discovers the dead body of his former lover Nohor. Baishakh steals Nohor’s body from the hospital and escapes, beginning a 24-hour journey of survival with her.

Dhaka Dream is a tale of convergence towards a city, named Dhaka, where a bunch of outlying people gather different experiences that derives from a separate journey that is collective and yet distinctively simultaneous.

The romance between two young people is threatened when an island begins to appear in a river that separates two communities.

A stealthy criminal gang targets Dhaka city for a series of attacks. To bust the terrorist organization, an elite police force embarks on a risky operation.

Woman in South Asian region always remain dependent on their Father, Brother, Husband or, Son in their different stages of life. They never achieve their own home, own address. The story is portraying womanhood of South Asia and depicts the life of Sutopa who never thinks out of that. Finally comprehend when she lost every shelter and found herself on running train where her destination is unknown. Her Own Address is an artistic vision illustrate a human story which appealing to the equality, freedom of souls and antidiscrimination.

Roya is a middle-class Muslim woman that struggles to find herself in the sprawl of urban Bangladesh. When she discovers that she will be replaced by a younger actor for the role of Nandini —a central character of Rabindranath Tagore’s political play Red Oleanders —she battles to reconstruct the part, reclaiming her identity and sexuality in the process. As she sets the play in a modern day ready-made garment factory in Dhaka, her journey to establish her individuality is juxtaposed with the journey of her housemaid Moyna, who later joins the industrial workforce.

While making a film based on the Mahabharata episode of Eklavya's offering of honorarium to his Guru Dronacharya, a film director discovers a new truth, which drives him to change and add something new to the screenplay.