Joel Holt

An examination of the "go-go" scene, including topless dancers and strippers, in Washington, DC, and Baltimore, Maryland.

Cut-n-paste job masquerading as a "documentary" on toplessness, feauring a strip routine by Tempest Storm that was filmed nearly two decades before.

The story of three women and the circumstances that led each to get involved in prostitution as call girls.

Famed crime photographer Arthur Fellig, nicknamed Mr. Wee Gee, stars as himself in this pseudo-documentary that begins when he falls in love with a store window dummy and tracks "her" to London, England, then meets up with a beautiful ghost in a haunted house and finally winds up in Paris, where he meets other beautiful women and ends up being chased onto the Eiffel Tower.

Cut-n-paste pseudo-documentary about the history of censorship in cinema and the changing mores of the '60s, comprised mostly of footage from the films of Joseph Mawra (who also directed this under the pseudonym of "Carlo Scappine"). Likely the only way to catch footage from Mawra's lost MME. OLGA'S MASSAGE PARLOR.

This exploitation classic purports to expose the secrets of the 1960s lesbian underworld.

Four girls in search of thrills find more than they bargained for when they get caught in a vice trap with no escape.

Faux-mondo movie featuring sex, drugs, violence and the familiar dulcet tones of Joel Holt.

Aspiring model Kathy can't seem to get a break. The tide finally turns in her favour after Kathy meets the devil, who gives her a pair of magical gold shoes that enable Kathy to achieve her goal of becoming a famous and successful model. However, said deal with the devil comes at a significant spiritual price.

In this third installment of the "Olga" series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga's House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it's difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.