Andrei Sergeyevich Smirnov (Russian: Андpeй Сepгeeвич Смирнов; born March 12, 1941) is a Soviet and Russian actor and filmmaker who is known for directing the films Belorussian Station (1971), Autumn (1974) and A Frenchman (2019). He was a member of the jury at the 38th Berlin International Film Festival in 1988.
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In modern-day Moscow, disaffected former journalism student Roman follows a cryptic invitation to join “the elite” and finds himself forcibly transformed into a vampire. But not your typical creature of the night. Thanks to a parasitical worm known as the Tongue, Roman (now called Rama) has become part of a ruling class of vampires who exercise an “anonymous dictatorship” over humans based not on a thirst for blood but the hunger for money. As various instructors school him in the ways of their elite breed, and Rama explores his new supernatural abilities, he begins a tentative relationship with another newly turned vampire, Hera. His desire for more knowledge about this intoxicating new world also leads him into potentially deadly conflict with Mithra, his mentor who becomes his nemesis.
Taxi driver and unsuccessful actor Seva Gorelov accidentally meets his first love Masha Sokolova, once a young and carefree girl, and now a thirty-year-old spoiled kept woman. Seva works part-time in a taxi, and Masha accidentally becomes his client. To go far, to Sochi, to their homeland with Seva teenage love. Masha has a wedding there in a few days, but not with Seva, of course, but with a rich patron. From the very beginning it becomes clear that this journey will not end with anything good. 1600 kilometers of adventure, well flavored with humor, ambition, tears, resentment, flirting, passion and a great feeling, which again is out of place.
The shrill and tragic story about an event that involved Count Lev Nikolaevich Tolstoy. In an infantry regiment of the military based in the Tula region an offence occurs. In this regiment, the capital’s lieutenant Grigory Kolokoltsev — inspired by progressive ideas — does his service. A military tribunal and execution await the soldier charged with the offence. Kolokoltsev asks Count Tolstoy for help — and he decides to protect the innocent man. The pointed history about the complexity of choice and fidelity to one’s ideals is based on real events.
Viktor spends his free time trawling bars with ladies of questionable repute, from where he is picked up by a wife he doesn’t love, the mother of a child they never planned. Viktor himself was abandoned by his own father, his mother then committed suicide, and he was left to grow up in an orphanage. Years later, his errant dad returns, now a disabled felon, and Viktor discovers a timely legacy is in the offing – his father’s apartment. The documentation for securing dad’s move into an old people’s home is signed in a flash. Nevertheless, the only one that can take him is miles away and, what’s more, the invalid starts to recuperate during the journey, which is when their real problems begin.
After suffering from a heart attack, a wealthy elderly Russian man plans to will most of his estate to his estranged daughter, but his titular wife has other plans.
A two days from the life of Pyotr Drozdov, a highly ranked official from Moscow, which he spends with young museum employee Masha.
The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.
Diplomat Volodin is going to work in the States for a responsible job. But, having crossed the ocean, he immediately went over to the Americans. And not empty-handed: he calls the American embassy from a pay phone and gives the appearance of a Soviet intelligence officer. The traitor is sure that he will not be identified “by the phone's strangled voice. There can be no such technology. But, on the instructions of the Chekists, such a technique was developed in Marfino's "sharashka" near Moscow by convict engineers and scientists.
A Polish ambassador finds his life falling into ruin following the death of his wife.
The year is 1817. Minon, a five-year-old girl, leaves her aunt Therese of Brunswick, who has raised her like a mother since her birth, to go and live with her parents, the Count and Countess von Stakelberg. One day, Gabrielle, her housekeeper, who is no longer in her right mind, reveals that her real father is the composer Ludwig van Beethoven. Twenty years later, still intrigued by this confession, Minon decides to unravel the mystery of her origins. She returns to the place of her early childhood, hoping to find the truth with her aunt, who was for years the faithful friend of the great composer.
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