Marisa Fabbri

No plot available for this movie.

The last days of humanity by Karl Kraus, a mammoth drama - almost 800 pages in the Adelphi edition - staged by Luca Ronconi in the Lingotto in Turin, broadcast by Rai

John Gabriel Borkman, a former bank director, was imprisoned for fraud but believes he was wrongly convicted. He had invested clients' money in a major industrial venture but was reported by his friend Hinkel, who was in love with Borkman's former fiancée, Ella Rentheim. Borkman now lives on the first floor of the house, with his estranged wife, Gunhild, living on the ground floor. He occasionally receives visits from his friend Wilhelm Foldal, who supports Borkman's delusion that the bank will reinstate him. In his youth, Borkman betrayed his love for Ella by marrying her twin sister Gunhild to advance his career. After his conviction, Ella took care of their son Erhart and now wants him to live with her and take her name. Borkman agrees, but Gunhild refuses to let her sister take their son.

After a car accident, a professor, trapped and awaiting help, hears a student recount the life of Milarepa. The tale unfolds in three parts: dark vengeance, spiritual discipline, and ultimate transcendence, reflecting a journey of inner transformation.

Following a bungled robbery, three violent criminals take a young woman, a middle-aged man, and a child hostage and force them to drive them outside Rome to help them make a clean getaway.

Rome, 1800. Napoleon threatens the power of the Church and executions of Jacobins are constant. Angelotti, the most famous of them all has escaped from prison and the chief of police is on his tail. Angelotti is being helped by a painter, lover of "La Tosca", a famous singer. The police chief suspects the truth and tries to arouse the jealousy of "La Tosca" to catch the escapee.

In a school on the extreme outskirts of Rome, a young teacher, instead of neglecting his half-empty classroom, decides to tackle the problem looking for the children who do not attend classes.

The story of the “Oresteia” begins with King Agamemnon's return to Argos after the fall of Troy. The chorus, composed of old Argives, recalls the sacrifice offered to the gods by Agamemnon, in Aulis, of his daughter Iphigenia to gain their favor.

Boston, 1920. Italian immigrants Nicola Sacco and Bartolomeo Vanzetti are charged and unfairly tried for murder on the basis of their anarchist political beliefs.

Roberto, a drummer in a rock band, keeps receiving weird phone calls and being followed by a mysterious man. One night he manages to catch up with his persecutor and tries to get him to talk but in the ensuing struggle he accidentally stabs him. He runs away, but he understands his troubles have just begun when the following day he receives an envelope with photos of him killing the man. Someone is killing all his friends and trying to frame him for the murders.