Fernando Arrabal

Celebration of Fernando Arrabal, 90 years old, poet, playwright, member of the transcendent body of satraps of the college of pataphysics and founder of the panic movement with Alejandro Jodorowsky and Roland Topor. With Alejandra Chulia Jordan, Arrabal specialist. With the contribution of François Naudin. Moderation Wanda Mihuléac. Caroline Corre for bibliophile books.

Le Passeur immobile, which covers the year 1987, is a Booklet filmed stuck between The Days and the Nights (1986) and The Artifice and the Fake (1988). These Notebooks have been punctuating my activity as a filmmaker for about fifteen years. They are like a life parallel to my other films and film series (Cinema, Group Portrait, Read, etc.). They are also like a letter to the spectators.

"L'Artifice et le factice" is the episode that covers the period from January 1, 1988 to December 31, 1988 of my filmed Notebooks.

The cinema of Benoît Delépine and Gustave Kervern is reminiscent of the one of Fernando Arrabal. This is why the two troublemakers of "Groland" invited the septuagenarian filmmaker to make an appearance in their film "Avida". This documentary, peppered with film excerpts, follows the Groland festival's progress with Arrabal as president.

What was your first desire? What did you long for most? Arielle Dombasle put these questions to a wide circle of famous people.

Documentary about the filmmaker Fernando Arrabal.

The kidnapping of a plump billionaire's dog by a deaf-mute and 2 ketamine addicts goes wrong. The wealthy woman takes advantage of the situation to make them fullfil her last wishes.

Amours décolorées is a cinematographic poem to the glory of Mariola San Martin, model, stylist, dancer and Spanish photographer.

This documentary depicts the filmmaker Alejandro Jodorowsky talking about his life, his loves, his career as a filmmaker, graphic novelist, and workshop leader, and his eccentricities including tarot reader and theatrical director during The Panic Movement. Directed by Louis Mouchet, La Constellation Jodorowsky includes a lengthy on-camera interview with Jodorowsky in Spanish with subtitles. Marcel Marceau, Fernando Arrabal, Peter Gabriel, Jean "Moebius" Giraud, and Jean Pierre Vignau make appearances discussing their various projects with the director. In addition to the interview and film clips, Mouchet features some bizarre footage from Jodorowsky’s absurdist plays in which topless women splattered with paint writhe around the stage in a theatrical production meant to represent The Panic Movement, i.e., an artistic expression in which reason cannot fully express the human experience.

No plot available for this movie.