Isa Pola

Maria and Paul love them, but they are very young and, moreover, Maria is the daughter of the municipal sweeper while Paul is the lawyer Bonelli, vice mayor and head of the opposition. To complicate the story there is the reconstruction of a hermitage destroyed during the war. Reconstruction would take the view of the Paseroni villa, big industrial and political traffic. Bonelli's lawyer, a great speaker, becomes a mayor for the death of his predecessor and is bought by Paseroni, while rejecting the love of Paul and Mary for social differences and why Paul should stay behind Doddy Paseroni. At this point, Paul and Mary flee to kill, just as Bonelli has to hold a talk on the radio for the inauguration of Paseroni's villa ...

After many years, a widowed Countess meets a former lover who lives with his daughter and her tutor.

The Queen of Sheba falls in love with the King of Israel. The King of Israel, however, is in love with someone else.

While recuperating from their injuries in a hospital, three young women flash back to the events leading up to the catastrophe. Remata (Lia Amando) has spent her entire life trying to overcome a childhood rape. Annamaria (Antonella Lualdi) has recently come out of an unfortunate marriage to a wealthy but insensitive boor. And Gianna (Eleanore Rossi Drago), the daughter of a college professor, has ruined her life with narcotics.

Set in a somber, shadowy Venice, the film opens with the mysterious disappearance of Dr. Carlo Pavani, a well‑respected executive at Assicurazioni Generali. His absence causes much concern in his upper‑class household. Several days later, his body is found washed up onto the steps of a palazzo on the lagoon.

A Tuscan peasant girl in the 13th century overcomes sexual harassment, and the skepticism of her fellow citizens, as she saves plague victims, works miracles, and eventually becomes a saint.

No plot available for this movie.

Anthology comedy/romance film

Melodrama of sexual cravings: The bored wife of a horse breeder is the object of attention by both a stud keeper and a half idiot stable hand.The young daughter of the household is later added to this mixture of passions.

In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.