Julie Caron

Four Anglo-Canadians and a New Yorker find themselves in a two-week long total French immersion program in the fictional, remote town of St-Isidore-du-Coeur-de-Jésus, tucked away somewhere in Northern Quebec. The place is perfect for total immersion since, according to the most recent census, 99% of the population is comprised of pure laine Quebeckers for the most part unilingual French, fervently nationalist, and all, save one person, named Tremblay.

It is the early 20th century. A stranger arrives in the small, rural community and disrupts the lives of its inhabitants. The man, who refuses to give his name, is dubbed The Outlander. A traveller who disdains conventional behaviour and parochialism, The Outlander disturbs the villagers' complacency and scandalizes the community; he also elicits admiration and gains a woman's love. He ultimately leaves in the same manner he had arrived, but not before he has helped the villagers open their eyes to the larger world beyond their village.