Joaquín Gómez

Seville, 1977. At a time when homosexuality is a crime, Reme, a traditional mother moved by the love of her son, an adolescent aspiring artist, will become involved in the Andalusian LGBTQ+ movement, paradoxically born in the bosom of the Church.

Bea is a successful architect who lives in Barcelona (Catalonia, northeast to Spain) with her boyfriend and boss, Víctor, a CEO of an important company. During a night celebration of an important contract signed to make a skyscraper designed by Bea, in the bar appears the famous TV reporter and anchorwoman Rebecca Ramos, Victor's personal erotic fantasy. Not measuring the consequences of her actions due to the alcohol she drank, Bea makes a meeting between Víctor and Rebecca. When to the next day she wakes up, Víctor proposes to wed Bea and she accepts, but after she arrives to the job, Bea learns about a videotape where Víctor and Rebecca make the love in a car that it's in all TV channels. In front of all CEOs during a full meeting, Bea slaps Víctor and destroys her design, being fired from the job. Looking for a break, she travels her natal coastal town, Santa Clara, just to discover that her rest isn't so easy as it seems: her eccentric, free-spirited and eternal smiling mother ...

A small village in Huelva, Andalusia, Spain, 1936. Higinio and Rosa have been married only for a few months when the Civil War breaks out. Higinio, being afraid of possible reprisals from the rebel faction, decides to use a hole dug in his own house as a temporary hideout.

Laura, a Spanish woman living in Buenos Aires, returns to her hometown outside Madrid with her Argentinian husband and children. However, the trip is upset by unexpected events that bring secrets into the open.

Spain, 1931. Under the Second Republic, women are eligible, but cannot vote. Victoria Kent and Clara Campoamor, the first women in the Spanish Parliament, intend to fight for women's rights, and Clara knows that the first step is to get the women's vote approved…

Fran and Anna are in love, have recently moved in together and have the typical troubles of any couple that is beginning: living together, personal bad habits, jealousy… Only that in their case, it must add a little additional problem: Ana is dead and is actually a ghost.

Silvia (Cuca Escribano) is local police in a village close to a luxury development. She lives with her husband, her young daughter and brother Camilo, with Down syndrome. One day a girl disappears from a nomadic village that had settled around the village. Everything seems to point to Camilo as guilty. Shortly afterwards disappears again another girl the same age. Unexpectedly, Camilo is accidentally hit by a car and dies. Convinced of the innocence of his deceased brother, Silvia not stop until you find the real culprit of the crimes.

Barcelona, 1980s: in a tough urban neighbourhood inhabited by survivors and ruled by ex-legionnaires Gandhi, Fontán and Andrade - who are fighting a war for control of the streets - Nen and his friends Palito, Topo and Tostao dream of making it big in the world of rumba. But Nen discovers why his father, El Guacho - of whom all Nen has left is the memory of his brilliance as a rumba singer - disappeared many years earlier. He learns how the relationship between his mother, Chata, and Ghandi, leader of the neighbourhood, was connected to his father's disappearance, and so Nen is forced to balance his own desire for vengeance with his longing to triumph.

Virtu and Ramon have tried to get children for a long time without success and Virtu begins to get tired of all the gynecological tests she is forced to go through. Finally, when it turns out that Ramon is sterile, Virtu suggests that they adopt, but Ramon wants a son of his own flesh and blood. As if the situation was not strained enough, Ramon's father appears after several years in prison and once again wants to become part of Ramon's life.

A prisoner on a furlough to attend his mother's funeral finds out he has a little brother, a nine year old kid who follows him on a aimless journey through desolate secondary roads.