Dietmar Richter-Reinick

Eleven-year-old Christine, called “Schiene”, spends her vacation on her grandparents' farm and discovers Zirri, a bright white cloud sheep, in her grandfather's flock of sheep.

No plot available for this movie.

No plot available for this movie.

A lost box is a strange one that nobody knows. It appears in the middle of an apartment exchange involving the Ilse and Rudi Karschek family and another couple. Since no one can be assigned to this box, it is opened; the contents: the portrait of an attractive girl who dedicated it to "her" Rudi. Rudi, however, is quite sure that this must be a misunderstanding. But then his wife Ilse receives a phone call in their new apartment that is not at all misleading, which brings the situation in the Karschek family to a head. In this respect, the whole affair becomes a total "mess".

Carola is a mischievous girl who doesn't care much for school- except for sports and recess, of course. Without her good friend Willi to keep her on the straight and narrow, she would really be in trouble. One day at school, Carola has an idea. She invents what she calls "International Ghosts' Day" and a ghost named "Buh" to go with it. When Buh turns out to be less-than-imaginary the two decide to switch places, with Buh taking on all the schoolwork, and Carola taking the opportunity to play practical jokes on all her friends...

Helene Sonntag, 40, unmarried and a teacher. She has long dreamed of happy partnership, but things turn out as they should. In order to avoid the work overload caused by substitute teaching and vacation childcare, she is forced to make a move.

No one has any time for Moritz. And at school, things are not exactly the greatest either. Moritz runs away and moves into the inside of an advertising pillar. A speaking cat, a circus girl and a street sweeper become his new friends. Gradually, they help the young boy to realize that running away does not solve anything.

No plot available for this movie.

The school authorities want to read success stories in director Joachim Faber's reports. But they cannot simply be produced on an assembly line. Pupils, for example, use the wrong tone. The matter draws circles until the superiors finally talk about refusal to work. Director Faber is caught between the efforts to resolve the conflict with pedagogical means and the pressure from above.

In 1903, Jan Anskath and his half-brother Martin are living in Rajgorod at the border between Russia and Prussia – Jan on the Russian, Martin on the Prussian side. Both are occasionally smuggling stuff over the border. But while Jan acts from political conviction and is smuggling illegal writings over the border, Martin is only interested in the money. That is why he does not question his shadowy client when he sneaks out refugees into Russia. But then it becomes evident that the distinguished gentleman has robbed the refugees from all of their belongings, only to turn them over to the authorities of the Czar.