Asghar Farhadi

This documentary series, spanning six feature-length films, explores the life and artistic journey of Nosratollah Karimi — an Iranian actor of theater and cinema, director, writer, sculptor, university professor, and gardener.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.

The Salesman is Asghar Farhadi's seventh film that won two trophies for the Best Actor and Best Screenplay at Cannes Film Festival in 2016 and the academy award for the best Foreign Language Film in 2017. About The Salesman is a documentary about Farhadi's method of filmmaking: development, pre-production, production, and post-production, with interviews with Asghar Farhadi and the analysis of the renowned Iranian and international film critics about The Salesman and Farhadi's cinema.

Documentary showing behind-the-scenes footage of the film 'Nader and Simin, A Separation'. Director Asghar Farhadi himself talks about his film and how the idea for it came about.

A Documentary about the New Wave movement in Iranian cinema.

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

A film director, an actor, a musician, an organizer of festivals, a husband, a father, a grand-father, a friend, a professor... This film is an unexpected meeting with one of the most fascinating European film directors: Emir Kusturica. This is a journey to memory and forgetfulness. Beyond success, money, dependencies and pride. A deeper look into the world of Kusturica and his Wooden city at Mokra Gora. A tale about the won battles, as well as the lost ones. About the everlasting curiosity in filmmaking.

In March 2012, Iranian movie "A Separation" by Asghar Farhadi, won the Oscar Award for the Best Foreign Language Film. For the Iranian people this was more than a cinematic award. When sanctions and threats of war with Iran covered the world headlines, Farhadi talked about Iran's love for peace and the rich culture of the Iranians on the stage when receiving his award. This time the Iranians voice was heard through someone other than the government officials. This documentary shows the reaction of the Iranians to this Oscar award and has a general view on Iran's society of today.

An original account of the 2015 Paris’ terror attack, Cyclothymia of a Land echoes the deep reasons of physical and psychological displacement. Emergencies, iniquity, propaganda, terrorism, war to terror, all inhabit an unusual journey into Tehran’s contemporary and precarious cityscape and an eerie and non-reassuring vegetation.