David Ritch

Aboard a BOAC plane departing an unnamed Iron Curtain country, a stowaway has convinced a flight attendant to conceal him so he can defect on arrival in London. However, a high-ranking secret police officer posing as a passenger informs her that the man she's protecting is not wanted for his politics; actually, he is a murderer.

Tunis, 1943. Battle-weary troops of Company C have orders to occupy a derelict Tunisian farmhouse. They are to establish an artillery observation post, reporting on enemy movements before the imminent offensive to liberate Tunis. However German infantrymen discover their operations. The ensuing battle for control of this small piece of land will decide who controls Tunis but more critically, the victors in the battle of democracy versus fascism.

A matador curses the painter of his portrait.

A fateful Stranger's Meeting leads to a maelstrom of crime, deception and murder in this 64-minute British programmer. The beautiful Delphi Lawrence heads a stellar cast, including such reliables as Victor Maddern, Norman Rossington, Conrad Phillips and Reginald Hearne. The plot centers around acrobat Peter Arne, falsely accused of murder. Escaping from the authorities, Arne hides out in a rustic inn, allowing first-time director (and former cinematographer) Robert Day ample opportunity for dark, menacing shadows and sinister underlighting. The genuine murderer is revealed just seconds before the culprit's death. Stranger's Meeting was held back from release until Robert Day's "official" directorial debut, The Green Man, had made the rounds.