Antje Mönning

What happens when seven women meet in one place for a week? Refreshingly unorthodox, THERE IS A HAUSEN EVERYWHERE addresses the fundamental questions of the present. Can we accept other people as they are and as they live? What is perception and what is reality? And when we talk about truth, what do we mean? In this comedy that plays with the absurdities of everyday life, the seminar community in Hausen becomes a microcosmic image of society.

ROLAND REBER’S CABARET OF DEATH paints a multi-layered picture of existence and puts the taboo subject of death back in line into the circle of life. In various storylines a ruined relationship crosses paths with an old man begging for euthanasia, a live show featuring candidates who are mercilessly sacrificed to the audience, a dancer who cannot escape ageing despite her self-optimization and the one with the mask who craves to be famous at all costs. And between all this, a corpse driver rolls his “clients” through a long corridor and shares his very personal and unaffected thoughts about life and dea

What does life taste of? For joyful Nikki the answer is clear: of pleasure. Delightfully she enjoys this at every possible occasion, as she drives through the country looking for people and their stories for her video-blog.

Eight very different people meet one night and a bar and leave all restraints behind them, that society put on them...

Two women kidnapped, chained in abandoned basement. Captor tortures them, plans release date revealed. Need for escalating cruelty. Captor's partner arrives, new demands made, situation intensifies.

Three women - no moral. Morality is the excuse for those who don't dare to live their truth.Michaela, Gabriela and Lucy are angels of vice. On their motorbikes they ride through the countryside to live their pleasure. They could see a lot, but only see themselves. They call themselves angels but they are angels with dirty wings. To be a full member in the exile paradise of angels, Lucy has to prove herself and stand the tests. The new film of Roland Reber and Mira Gittner is an anthem of immorality. A holy song of egoism and a painful study about our time and a generation who rent their feelings.