
William John Clifton Haley (July 6, 1925 – February 9, 1981) was an American rock and roll musician. He is credited by many with first popularizing this form of music in the early 1950s with his group Bill Haley & His Comets and million-selling hits such as "Rock Around the Clock", "See You Later, Alligator", "Shake, Rattle and Roll", "Rocket 88", "Skinny Minnie", and "Razzle Dazzle". Haley has so...
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The story of promoter Saul Holiff's turbulent life and his success making Johnny Cash a superstar.

No plot available for this movie.

Journeying through the history of rock 'n' roll as it electrified the Golden Age of Hollywood.

A History of Rock and Roll from its origins up to the early 1960's.

Rare clips of performance and interviews by a multiple of stars, all prematurely lost.

This documentary shows the revival of British rock n' roll as it follows a weekend pilgrimage of Teddy Boys, Rockabilly Rebels and Rockers. Bands performing include Bill Haley and the Comets, Crazy Cavan & the Rhythm Rockers, Matchbox, Flying Saucers, Freddie Fingers Lee, Ray Campi and his Rockabilly Rebels.

Filmed record of a major rock and roll festival held at Wembley Stadium, London, in August 1972. London Rock and Roll Show begins with excerpts from numerous "warm-up" performers shown singing either covers of 1950s hits, or original tunes, including a performance by Screaming Lord Sutch that threatens to end the concert prematurely when he brings a stripper on stage. The main concert segment begins with Bo Diddley and continues with a string of other major performers including Jerry Lee Lewis, Little Richard, and Bill Haley and His Comets. The concert ends with an extended performance by Chuck Berry, who at the time was enjoying major chart success in Britain and the US with his "My Ding-a-Ling" (although he does not perform that song in this film). Mick Jagger also appears in several non-musical interludes in which he is interviewed about the performers.

A young man hires somebody to impersonate his father when it comes times to meet his girlfriend's parents.

Producer, director and projectionist watch an assortment of musical numbers and brainstorm about framing narrative that could contain them all.

A frustrated big-band promoter runs in to rock-and-rollers Bill Haley and the Comets at a small-town dance. He quickly becomes their manager and, with the help of Alan Freed, hopes to bring the new sound to the entire country. But will a conniving booking agent, with a personal ax to grind with the manager, conspire to keep the band from making the big time?
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