
oseph, Baron Van Damme (born 25 August 1940 in Brussels), known as José van Dam, is a Belgian bass-baritone, described as having "a magnificent resonant and expressive voice" and being "an excellent actor". At the age of 17, he entered the Brussels Royal Conservatory and studied with Frederic Anspach. A year later, he graduated with diplomas and first prizes in voice and opera performance. He mad...
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The most famous Scenes and Arias from French operas

This recording of the opera Ariane et Barbe-Bleue by Paul Dukas was staged at the Liceu in Barcelona in 2011, with Claus Guth as director, Stéphane Denève as conductor and José van Dam and Jeanne-Michèle Charbonnet in the leading roles.

This May 2010 production of Massenet's 1910 opera "Don Quichotte" marked the opera's centenary and also Jose Van Dam's operatic farewell at the Theatre de la Monnaie, Brussels. It is beautiful in every way--vocally, scenically, sonically, and visually--and a worthy record of Van Dam's farewell. Van Dam is just shy of 70 in this production, but you would never guess it from his singing or stage movements--a consummate artist. His is a noble portrayal and deeply moving. The Act V death scene is a model of beautiful singing and acting.

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Karajan - Bruckner - Symphonies No. 8 & 9

Late 19th-century Paris, home to Louise, her traditional working-class parents and her bohemian artist lover Julien. An opera about the tension between Louise's responsibility to her parents and her opportunity to break free with Julien.

L'Opéra National de Paris' production of L'Amour des Trois Oranges must certainly be one of the most elaborate operatic presentations. It has a cast of gazillions, characters who fly, jugglers, fire-eaters, remarkably elaborate costumes, amazingly realistic props (those five-foot oranges are convincingly juicy and edible looking), a huge set, fireworks, and so on. In fact, at times, it looks more like a Cirque de Soleil show than something you'd see in an opera house. Director Gilbert Deflo's conception and William Orlandi's costumes and sets are rooted in commedia dell'arte, but the production is thoroughly eclectic, with allusions to a wonderfully weird assortment of styles and periods.

"Man of the Mancha" tells the story of the "mad" knight Don Quixote as a play within a play, performed by Cervantes and his fellow prisoners as he awaits a hearing with the Spanish Inquisition. Television broadcast of the Liège production in French with German subtitles.

Luc Bondy's 1996 production of Don Carlos was staged, recorded and filmed at the Chatelet in Paris. These seven performances were blessed with an all-star cast, loaded with important singers either starting their careers (Roberto Alagna) or at the height of their dramatic powers (Karita Mattila, Jose Van Dam.)

Live performance from the Opéra National de Lyon.
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