
Maria Fernanda Cândido (Londrina, May 21, 1974) is a Brazilian actress, presenter and former model. She began her career as a model before making her acting debut in the play Anchieta, Nossa História. Known for her emblematic characters in cinema and television, she has received numerous awards, including a Press Trophy, a Brazil Quality Award, and the Best Actress award at the Gramado Festival.
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This love story is an urban fable; the streets and tunnels would be empty. At the street corners, traffic lights would turn on and off without any meaning. It’s an empty planet, some would say. In a time yet to be named, when the couple’s love crumbled in the dead of night during a blackout, the planet became populated once more. To each other, had they been nothing more than figments of the imagination? Would they ever see each other again? That man and that woman now wander through fragments of the real world, seeking to piece their lives back together after the overwhelming experience of passion.

Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. Hoping to reunite with his son, he travels to Recife during Carnival but soon realizes that the city is not the safe haven he was expecting.

Follows the story of Johannes Van Almeida, a painter who was just released from prison and wants to start his life anew, but everything changes when art dealer Antoinette, and international actress in crisis Florence Lizz, get in his way.

Gian, a 65-year-old ethnomusicology professor, fights the darkness caused by the sudden onset of amnesia. Flashes of the past, that blend with hazy archive footage, haunt his mind like a phantasmagoria of images. Despairing, Gian tries to end things, but he fails. In the aftermath, Miriam, the daughter he does not recognize, moves into his apartment with her son Elyas. She helps him find a diary written into his twenties that revolves around Leila, a girl with whom he discovers love in the space of one night. This emotion exacerbates Gian’s pain but pushes him to recover his memory.

G.H., a well-to-do Rio sculptress, enters her maid’s room, sees a cockroach crawling out of the wardrobe, and, panicking, slams the door on it. But the sight of the dying insect provokes a mystical crisis.

This is the crazy bet of a mother ready to do anything to help her 12-year-old son, Louis, wake up from his coma. After Louis' accident, Thelma decides to do for him the "10 things to do before the end of the world" that he had written in his diary. By listening to these adventures, Louis will see how beautiful life is and that he must come back! By fulfilling a teenager's dreams at the age of forty, Thelma will experience an incredible journey that will take her farther than she ever imagined.

Professor Albus Dumbledore knows the powerful, dark wizard Gellert Grindelwald is moving to seize control of the wizarding world. Unable to stop him alone, he entrusts magizoologist Newt Scamander to lead an intrepid team of wizards and witches. They soon encounter an array of old and new beasts as they clash with Grindelwald's growing legion of followers.

An isolated villa, a family just like the others. Michele has remarried beautiful Damiana, and lives with her and her daughter Fiore, a seductive teen with whom he has an intricate relationship. In the middle of the night, Sergio, an ex-con, bursts in the villa and abducts the family. his mission: retrieve and bring back to Caligola, the man who hired him, some important documents, now seeminlgy buried somewhere in the greenhouse near the house.

Palermo, Sicily, 1980. Mafia member Tommaso Buscetta decides to move to Brazil with his family fleeing the constant war between the different clans of the criminal organization. But when, after living several misfortunes, he is forced to return to Italy, he makes a bold decision that will change his life and the destiny of Cosa Nostra forever.

A woman finds herself facing a situation where a strong desire would cause her to change her entire life. This and Ana Thereza's other personal questions serve as a starting point for addressing the main object of this documentary: desire. Not only in the denotative sense of the word, but, above all, by its forms and possibilities of growth, ascension and, moreover, in what way is it capable of building itself from idealization and subjectivity.
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