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16 years after “Love of the Children“, the drama tells the story of Mira and her patchwork family. She has recently taken over the management of a supermarket. Her relationship with her husband Tarik and her two daughters gives her support. But a single weak moment in which Mira fails to tell the truth leads to other half-truths and lies until everything blows up in her face.

A metro driver with colorful hair is unexpectedly chosen as the face of a public transport advertising campaign, blurring the lines between the visible and hidden.

In a hot summer during the Covid pandemic, the property management decides to renovate Karsten’s apartment and evicts him. Whether he’ll be able to quickly find something new in Cologne is uncertain. But Karsten remains relaxed. He packs his mattress into the borrowed moving van and turns it into an improvised home. Sophie and Miray also urgently need a place to live and join Karsten. For a while, their set-up seems perfect. However, a few days turn into months. Too much closeness and the impending autumn chill take a toll on the three of them.

Marco gets his golden ticket out of the village and into a big football club. Between wild partying and doubts, he must decide if he dares to flee into the unknown.

In the face of the bucket wheel excavators in the brown coal mining area eating their way through the muddy Rhineland soil, the Lange family is at a crossroads: what do we do when the old has to go and the new is so uncertain? The young entrepreneur Marcel Lange, hungry for success, wants to build a new high-end village and achieve social advancement. To this end, he has already had the prototype Villa Verena built on the edge of the open-cast mine, where the largest renaturalized lake in the world is to be created in just a few years. But his sister Franca is against it. In the old village, which is about to be demolished, she is holding the fort and tinkering in the basement on an electricity storage unit that will supply all the houses with green energy in the future and make them self-sufficient. In the midst of this chaos, widow and mother Angelika Lange has other plans. She wants to finally take a vacation with the relocation bonus and doesn't always want to worry about others.

Based on the bestselling biography: Entertainer Horst Lichter has barely had time to relax on his holiday when his mother calls him. In her own dry way, she tells him that she has been diagnosed with cancer and that things are not going well for her. Immediately Horst returns to his hometown with his wife Nada. Returning home brings back childhood memories - of a loving father and a mother who held the reins firmly in difficult situations. Horst tries his best to support his mother Margret - he organises doctor's appointments and tries to provide a little variety into her daily life, even though the relationship between mother and son has been strained for a long time: he counters his mother's edgy, frosty manner as he had learned to do when he was young. He emphasises the positive side of any situation and is always ready to respond with a snappy retort. When Margret learns how serious her illness really is, Horst begins to rethink his own life as well.

Carlo has to dress warmly for a dubious deal on a lonely street on a hot summer's day. But who or what is he actually waiting for?

A highway at night. A rest stop with a snack bar. A man and a woman cross paths and nod. Who is up and about at this time of night? At the next stop, the same thing happens. A coincidence? One wonders what the two want.

Heinrich Gruber, a public prosecutor as he stands, and the travel journalist Tom Gruber have little in common in life. The two gentlemen in their 60s are all the more astonished when they get to know each other at the opening of a will - as the husbands of the deceased. Sophia, who had a car accident, led a double life that was both secret and happy for decades. While the esoteric Tom would like to get to know his rival in order to understand his beloved wife even better, Heinrich turns completely stubborn in his pain.

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