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Four stories take place in a furnished apartment that we follow through the doorman and his family who live on top of the building in a miserable room. In the first story, a doctor tries to treat a figure with a political position. In the second story, Hassan meets in the 1970s with his old friend Nadim, who comes from Lebanon during its Civil War. The third story takes place at the beginning of the new millennium and the takeover of businessmen. As for the fourth story, it takes place before January 2011 when Sami returns under pressure from his family to sell the apartment and the whole building.

On 2013, Faten is released from prison after serving a 20-year sentence for committing a horrific crime. She is forced to spend her night with Leila as a result of a curfew and she is subjected to another trial in search of answers to hidden questions about her

Fajr is a famous temptation star, and the heroine of the first feature film of a young director. She rejects the kissing scene in the film, which provokes the director and the producer, and everyone tries to reach common ground to complete the film and get out of this dilemma.

When a day in the life of a beleaguered Egyptian filmmaker goes sideways, he witnesses anew issues like class and gender relations.

Ali believes his late girlfriend's soul has been reincarnated in a goat. His mother forces him to visit a spiritual healer, where he meets Ibrahim, who suffers from severe depression and hears mysterious noises, in a way to find hope, Ali, his goat and Ibrahim head on a trip across Egypt hoping to help each other overcome their problems.

A seemingly traditional journey of a young sheikh in a governmental mosque who moves from leading prayers to becoming a TV celebrity issuing "fatwas" that are accepted by millions who have become fans of his as a result of his courage and his attempts to deviate from the usual religious rhetoric in a society heavily influenced by fundamentalism. From Behind the scenes that exposes religion and authority struggle - Mawlana is a movie that defy boundaries.

Both Mahmoud and Zeinab join hands to search for the original version of the first Egyptian independent film that was made back in the 1980s, all copies of which were either destroyed or confiscated for unknown reasons by the government film agency, an entity that governed film production and distribution at the time.

Nawara works as a housemaid for a family closely linked to the Mubarak regime. On the eve of the 2011 revolution the family decides, for safety, to leave the country temporarily and ask her to look after the villa. Flush with cash for expenses, Nawara calls her fiancé Mustafa and the two are soon enjoying a taste of life at the top. Her journey from the alleys of her poor neighborhood to the luxury compound brings with it the worries of the people and their simple dreams—and an experience she could never have imagined.

The Gate of Departure is a meditation on grief, death and psychological entrapment that dispenses dialogue and narrative for a visual experience that breaks the conventions.

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