David Cronenberg

The sequel to the 2019 film. Plot TBA.

Inconsolable since the death of his wife, Karsh, a prominent businessman, invents a revolutionary and controversial technology that enables the living to monitor their dear departed in their shrouds. One night, multiple graves, including that of Karsh’s wife, are desecrated, and he sets out to track down the perpetrators.

The Hanging of Stuart Cornfeld is an intimate portrait of what it means to expose oneself. At its center is the iconoclastic film producer Stuart Cornfeld (1952-2020) sharp-tongued, outspoken, irreverent, and true to himself. The film unfolds through the eyes of an artist who, in Stuart’s final years, paints multiple portraits while speaking with him and those who knew him best (friends, collaborators, actors, film directors and, film producers) tracing the life of a man who embraced misfits because he, too, never quite fit in.

In the wake of an environmental collapse that has forced humanity to shed 20% of its population, a family dinner erupts into chaos when a father's plan to enlist in the government's new euthanasia program goes horribly awry.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

David Cronenberg stands in a softly lit bedroom and looks deeply into the camera before his gaze shifts to a motionless figure in the bed...

John Peterson lives with his partner Eric and their adopted daughter in Southern California. When he is visited by his aging father Willis from Los Angeles who is searching for a place to retire, their two very different worlds collide.

Following the death of her mother, a young woman returns home to Niagara Falls and becomes entangled in the memory of a kidnapping she claims to have witnessed as a child.

"L'inquiétante absence" is a documentary that examines the current state of genre films in Québec. In an attempt to answer their questions, the filmmakers conducted several interviews with leading figures of Québec's genre cinema from various backgrounds, in addition to meeting with fans at festivals and conventions.

New featurette, writer/director Brad Bird, writer/director Andrew Haigh, director Danny Boyle, and cinematographer Anthony B. Richmond, amongst others, discuss the Nic Roeg's diverse body of work and his visual style as well as Don't Look Now.