Jana Janěková

In a small kingdom where King William and Queen Olivia are perpetually away, corrupt councilors Ferenc and Lorenc exploit their power by piling on ever-higher taxes, only to have their unjust levies thwarted by the noble robber Karaba, who ambushes the tax collectors and returns the stolen money to the people. After the birth of his daughter Anička, Karaba retires his highwayman’s tools and resumes life as a humble potter, even as the royal couple welcomes a son, Jakub, and the ministers’ greed threatens to draw him back into defending the common folk.

Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?

The elements that rule Earth - Air, Fire, Earth and Water - are in their "regular inspection tour". We are following Water, in the form of the Rain Fairy. Traversing the land dressed like a poor woman, she learns that people really have begun focusing mainly on money and that love and goodness are disappearing.

The psyche of a ruthless secret agent in Cold War Czechoslovakia begins to unravel when he obsesses over the girlfriend of a suspected subversive he is tracking. This taut political thriller is a bleak and potent rendering of the emotional destruction wreaked by totalitarianism.

A young boy is forced to live with a chimney-sweeper family and be his apprentice after his parents death. Even though he is good chimney-sweeper and hard working, he would rather be a pastry cook like his late father.

33-year-old Roman decides to tackle his drug addiction by undergoing group therapy as part of a community holed up on an isolated farm in the Šumava mountains. Twelve people, men and women of varying ages and social status, voluntarily subject themselves to a tough regime under the supervision of three therapists. Many of them have stared death in the face already – overdoses, suicide attempts, and aggression heightened by the use of hard drugs, outwardly affecting even the strongest of them. Each brings something of his past into the group, which he has to experience again, both for himself and for those assembled. Past anguish, wrongs and guilt give rise to new problems: in this thickening atmosphere of suspicion and lies, who can still be trusted? This intimate psychological drama deliberately sets out to break up the tight narrative form through retrospectives in which we learn about the past life of each individual.

Hana is a psychologist and a thoroughly independent woman. Her unemployed husband, jealous of his wife, finds a younger girlfriend, but their teenage son Honzik is frustrated; everyone ignores him. Hana's patient Eva, an attractive middle-aged woman, is having problems with her 25-year-old son; she is in love with her son's friend and her son is offended by her behavior. To complete the circle, he falls in love with Hana and Honzik is utterly disgusted by their affair. Another of Hana's patients is Dub, a millionaire who can have pretty much anything, or anyone, he wants. He wants Hana. But he can't have her.

The Servant of Two Masters is a mature example of commedia dell'arte, featuring traditional characters and situations. It takes place within a close-knit family, where the main event is an engagement complicated by the servant Truffaldino, who is both cunning and foolish. He sets in motion a comedy of mistaken identities and misunderstandings, driven by his eternal hunger, through unexpected twists and turns to a happy ending. He is surrounded by traditional characters – commedia dell'arte masks – the worried father Pantalone, the wise doctor, and their children in love, an adventurous couple of lovers, the innkeeper Brighella, and the maid Smeraldina. Truffaldina is played by Miroslav Donutil, who continues the tradition of improvisation to the great delight of many audience members.

It is April 1945, spring begins and ends the war. German transport heading away from Bohemia.

No plot available for this movie.