Vojtěch Ron

The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.

Biography of Karel Čapek.

The director Ivan Balaďa was not allowed to finish this gloomy, black-and-white parable, inspired by Chekhov's short story Pavilion No. 6 - only after the fall of communism, more than twenty years later, did the film hit the cinema screens, unfortunately to negligible acclaim. In fact, it is only now that we can fully enjoy the story of an aging, increasingly exhausted mental institution doctor who is inexorably sinking to the level of his patients.

A story about childhood - real and the dreams. After finding a magic shell young Kačenka uses it to model her family life on the sea shore.

Films for children gradually fell into the grip of expressive and content sterility, succumbing to exhortative, educational tendencies. This is also the case in the story of a 14-year-old girl who has been accepted to the conservatory, but a sudden accident, a broken arm, makes her rethink her priorities - she learns that it is possible to engage in other activities than the tedious practice of piano etudes.

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.

In the final days of the Second World War in 1945 Frantisek Pribyl is killed during a shoot-out with the Germans. After the funeral, the widow (Jana Svandová) and her two young sons Martin and Ondra move to her deceased husband's native village at the foot of the Kralický Snezník mountains. Life in the borderlands is far from easy for the lonely woman. The village is almost deserted, food supplies are delayed; the Werwolf (Nazi guerrilla squads) are hiding in the mountains, and shooting is heard from time to time. The elder son Ondra (Michal Dlouhý) is helping out his mother and at the same time absorbing intense new experiences. He meets an old Czech resident Skurek (Lubomír Kostelka), German women working in the forest, soldiers from the engineering units removing the mines, and a young first lieutenant. At night he dreams about his dead father whom he loved very much. This is why he runs away from home when he finds out that the lieutenant is courting his mother.

A divorced single mother romances a young slaughterhouse worker, must to the chagrin of her ex-husband.

This documentary-style story tells the story of an aspiring documentary filmmaker who is preparing a film about the history of glassmaking. He is honestly gathering information, slowly getting closer to an unknown and not always accessible environment, to people, whose actions he often doesn't understand because he misses their motivations... Shards for Eva is certainly not a skillfully wrought work, but it certainly impresses with its sense of at least partial capture of everyday reality.

Three short stories. Prague finally sees the approval of the subway construction. Thousands of individuals took part in preparing, course and finalizing construction of subway and their lives crossed at certain points of this construction.