Milan Marić

Middle-aged cinephile and film projectionist Pera still lives with his mother - and best friend - Mara, in Belgrade. It's 1999 and when NATO bombs start raining down on Serbia, the two of them become refugees. After a surreal journey, they end up in New York, where Pera realizes that he can no longer do the old job he loved so much. While he and Mara were struggling to survive, the new age of digital projection was born. Then Pera stumbles upon some discarded projectors and his new mission in life becomes clear: he will travel around and show people the magic of Real Cinema - the magic that can only be created by celluoid, mechanical projectors, the silver screen and flickering light.

The Parade, in a tragicomic way, tells the story about ongoing battle between two worlds in contemporary post-war Serbian society - the traditional, oppressive, homophobic majority and a liberal, modern and open-minded minority... The film, which deals with gay rights issues in Serbia, features footage of the 2010 Belgrade gay pride parade. The film introduces a group of gay activists, trying to organize a pride parade in Belgrade.

A med student gets a job at the mortuary where he discovers his penchant for necrophilia.

Saša, a Belgrade University law student, tells her parents that she and her boyfriend Stefan are moving to Canada. That same night Saša and Stefan suffer a car accident. Saša wakes up in hospital and meets Stefan's charming and clever sister Lana, a photographer living in Paris. Stefan remains in hospital to recover. Saša finds out that her mother Lila is having an affair. Her father, a well-known judge, desperately tries to keep the family together. Lana becomes Saša's closest friend - a person able to prove that life is sometimes a mere game. In the midst of historical and family chaos, Saša gets involved in a love relationship with her boyfriend's sister.

This film follows two Belgrade youths on their rise to gangster legends in a decaying society.