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The Countdown to the 69. Eurovision Song Contest live from Basel.

Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

On his 80th birthday, show legend Frank Elstner ventures into unfamiliar territory. It is not he who is asking the questions this time, but: Anke Engelke, Jan Böhmermann, Barbara Schöneberger, Michelle Hunziker, Thomas Gottschalk, Günther Jauch and Jean-Claude Juncker.

Rylan Clark-Neal narrates a guide to all things Eurovision and takes a sideways look at the greatest singing contest on the planet. The A-Z of Eurovision features all the disasters, the costume changes and memorable musical moments from 65 years of Eurovision.

When Georgy's music career derails and bankruptcy seems unavoidable, he discovers a profitable career opportunity as a call boy.

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Frank Elstner, who has thrilled millions for decades with shows such as Wetten dass..., Die Montagsmaler, Aber Hallo or Verstehen Sie Spaß?, who invented TV hits that everyone knows and loves and that have long been part of the collective memory, wants to bid farewell to the big Saturday evening stage with this show.

On the occasion of Hape Kerkeling's 50th birthday, the "Gala Film" tells the story of the adventurous preparations in Berlin's Friedrichstadt-Palast for a lavish gala show that will, of course, never take place. Barbara Schöneberger takes on the role of the presenter and Hape himself appears as the chaotic director of the supposed "show", as his incompetent manager and as a pushy journalist.

The Lindenhof School is expecting a busload of proper young English ladies as exchange students. The shock is great when the students turn out to be teenage boys! But while Mademoiselle Bertoux is delighted to stage “Romeo and Juliet” with real boys, both Hanni and her sister Nanni fall for their “Romeo,” Clyde.
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