
Bong Joon-ho (Korean: 봉준호, Korean pronunciation:[poːŋ tɕuːnho → poːŋdʑunɦo]; born September 14, 1969) is a South Korean filmmaker. The recipient of three Academy Awards, his work is characterised by emphasis on social and class themes, genre-mixing, dark comedy, and sudden tone shifts. He first became known to audiences and achieved a cult following with his directorial debut film, the black come...
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Over three episodes, three respectable middle-aged men find themselves behaving badly. A teacher hides his pornographic magazine from a female student. A jogger steals milk and blames it on a newspaper delivery boy. A drunk man desperately searches for a public toilet late at night.

Ten years after the first documentary, the legend of the Palme d’Or… continues. Some new laureates of the Cannes trophy relive, for us, the very special moments surrounding the awarding of the Palme d’Or.

The first feature documentary directed by Kim Dong-ho, former festival director of the Busan International Film Festival, this film captures the present landscape of theaters and films across Asia through the eyes of a seasoned film professional. Now retired from public service, Kim travels with his camera to document the post-pandemic cinematic ecosystem, visiting theaters and film festivals in Korea, Japan, Taiwan, Indonesia, and beyond, and gathering memories and concerns from filmmakers along the way. Prominent figures like Lee Chang-dong, Park Chan-wook, Bong Joon-ho, Kore-eda Hirokazu, Tsai Ming-Liang, and Garin Nugroho eagerly share their thoughts on the fate of theaters and the future of cinema. What begins as a survey of the current state of theaters evolves into an emotional chronicle and an opportunity to reflect on the essence and sustainability of cinema.

This intimate documentary explores a bygone era of cinematic passion and the emergence of young film enthusiasts in South Korea, including Bong Joon Ho.

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A short featurette on the making of Parasite.

The documentary gives a voice to all those who have experienced the crazy adventure of shooting Memories of Murder.

Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters. Beyond the myth of the tyrannical director, a contrasting portrait of a visionary, an agitator, an artist against the system.

Unlike our dream of becoming a great filmmaker, the movie boards that adults talk about are tough. We are looking for our idol, Bong Joon-ho...
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