
Hideko Takamine (高峰 秀子, Takamine Hideko, March 27, 1924 – December 28, 2010) was a Japanese actress who began as a child actress and maintained her fame in a career that spanned 50 years. She is particularly known for her collaborations with directors Mikio Naruse and Keisuke Kinoshita, with Twenty-Four Eyes (1954) and Floating Clouds (1955) being among her most noted films. Takamine was born in ...
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A man whose son has been murdered pushes to create laws to financially protect victims' families.

Based on a children's book. Two children encounter a wooden chair that moves and speaks. The chair awaits their return, unaware the sister died in the atomic bombing of Hiroshima.

A Japanese businessman is sent to Sri Lanka and meets a beautiful Japanese woman with a past. They befriend an old Japanese-Indian widow who has an estranged son in Japan.

A woman looks after her father in law.

An abandoned temple in the mountains outside of the old capital city of Kyoto is the scene of a fated meeting between a traveling priest, two women, and a vicious killer. Bloody violence erupts whenever strangers approach the temple. Can the traveling priest bring his belief in the Buddha and rid the three temple residents of the devils that hold their souls?

The disturbing story of a physician who conducted the first operation with general anaesthetic, and the women in his life who are both so determined to win his love that they volunteer as subjects for his experiments

A sequel to Happiness of Us Alone. This story focuses on the troubled life of the couple's adult's son, Ichiro, especially his relationship with a deaf girl, the daughter of his understanding boss.

When the only son of a working class woman is fatally struck by a car driven by the adulterous wife of a company president in a hit-and-run, the victim's mother changes her identity and infiltrates the couple's home to work as their maid, plotting to murder their similarly-aged son.

Young widow Ine is suffering under the harsh treatment of her mother in law. As a former Geisha, Ine had struggled to be accepted into the well-established Rokujo family from the beginning. With the support of Jiro, a young man Ine's late husband had saved from homelessness as a young boy, Ine tries to keep the family's heritage of silk processing alive. Their close relationship soon causes gossip among the villagers and threaten Ine's position in the family even further ...

War widow Reiko rebuilds and runs the grocery shop in the house of her husband's family. Many years later, their business is threatened by a newly built supermarket and Reiko's in-laws plan to convert their small shop into a supermarket, to her detriment.
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