Alena Ambrová

Four people who have nothing in common. The wife of a successful man who lacks only one thing to be happy – a child. She is willing to do almost anything to have one. A sports coach who has devoted his life to athletics is now past his prime and has time to realize everything he has missed. An old woman lives alone in a large empty house, without human contact, which she seeks in higher spheres. And finally, a young mother with two children. Her small salary and harsh life do not play into her favor. She struggles and fights, but perhaps the moment will come when she gives up everything. The visually captivating film Proměny follows four different characters whose lives intertwine only slowly and randomly. The individual fates and the plot culminate, and the film's bold concept inevitably leads to a final clash. What must happen for life to be different than before?

More than ten years have passed since the famous premiere of the equally famous drama Maryša by the Mrštík brothers at the Husa na provázku Theater in Brno. Vladimír Morávek's new staging provoked a number of enthusiastic responses as well as great indignation. He subsequently left for the theater in Hradec Králové to launch a great era of drama, which he crowned with a return to the scene of the crime – Brno.

Bohus is indolent and spends his days drinking brandy. One day he finds he has inherited a brickworks, several shops and a five-star hotel. Bohus sets out to tour his new empire, insulting everyone on the way.

Intolerance can already be ominously growing among children. Even the talented Petr, who is not accepted by his new classmates, will be convinced of this - he only encounters rejection and even betrayal of trust. More than exposing children's mentalities, however, the creators are trying to present a model of social morality, which, however, lacks both a more credible motivational background in the actions of the individual characters and the courage to point out the functioning of deformed relationships. However, they unfortunately did not reach the level and communication of Schorm's film Five Girls on the Neck, which dealt with a similar problem.

No plot available for this movie.

A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.

No plot available for this movie.

No plot available for this movie.