Nasrdin Dchar

Rotterdam, the Moroccan-Dutch Karim tells his parents that he is attracted to men. After years of keeping up appearances, the word is finally out. The difficult days that follow evoke beautiful and poignant memories. He realizes that he has to confront his family to finally break the silence. But in order to be accepted, he must come to terms with his own feelings first.

Using each other as alibis, two friends sneak off to indulge in secret affairs — but their elaborate web of lies unravels when one of them goes missing.

If you pursued populism, cancel culture and hatred on social media to their extremes, perhaps you would get a weekly, crowd-pulling reality show in which viewers can vote for which compa­triot must be executed — liter­ally. This brazen thriller follows Salman Seegers, who starts working for the Sterf­show (Death Show) as a pathol­o­gist. It comes easy to him, until a candi­date ends up on top of the Death List who is very dear to him.

For most Dutch people, the COVID-19 lockdown proclaimed by PM Rutte is no picnic. However, for Hussein, who suffers from agoraphobia, a world opens up.

Moroccan-Dutch actor and stage performer Nasrdin Dchar attempts to make sense of the chaos that was the year 2020.

A thirty-something aspiring children's author, labeled "meskina" (pity case) by her Moroccan-Dutch community for still being career-less and single, sets out to once and for all find professional success and true love.

As the whole country is preparing for the World Cup, all characters are confronted with the Dutch ‘Orange Fever’, which seems to either bring them closer together, or drift them apart.

Acquitted of a fatal on-duty incident but tormented by its harrowing personal repercussions, a police officer and impending father struggles to piece his uprooted life back together while sent on leave to a holiday resort in Greece.

Els, a former surgeon, and the Palestinian refugee Sulayman happen to sit opposite each other on the train. There is nothing that suggests the great impact of their conversation: it puts their lives on a new track.

Highly intelligent hacker Lillian joins a cybersecurity company in order to gain access to the bank where her father used to work. She discovers nothing is what it seems and it turns out she isn’t the only one pretending to be someone else. But where do we draw the line between activism and terrorism?