Catherine Jourdan

The setting is Les Fauvettes School for Girls just after WWI, where sternly Teutonic headmistress Ingrid Caven vies with Catherine Jourdan, a morphine addicted, fabric fetishist gym teacher, for the sexual favours of liquid eyed nymphet Scyluna. Meanwhile the chaplain conducts a nude exorcism.

The french dancer America is in a hotel in Paris with her lover. He goes out to buy cigarettes and she imagines that he travels to Mexico, where he makes a cabaret number dancing with a mannequin that represents the devil. It is related to the gigolo Jimmy, who prostitutes and explodes, and wanders around the city getting involved in a strange plot with some gangsters.

Harry is a young millionaire on holiday; he takes his yacht to a Greek island, and stays in the mansion of his friend...

Patrice Enard’s ‘Pourvoir’ is a film mainly comprised of images of women in nature, his style is stark and repetitive, shots are angular, which both hide and reveal. There is though a visual poetry to his work - once the smoke dissipates, a sexual liberation emerges, with subtle flourishes in the staging and editing threaded together by Marxist and Freudian discourses.

No plot available for this movie.

Eva is a singer in a Noah's Ark themed nightclub, where the guests wear animal masks. She is approached by a stranger who claims to know her and to remember her singing Mozart.

Three episodes from the history of socialism: Babeuf, whose virulent discourse is a radical assessment of the bourgeois revolution of 1789 (Vincent Nordon episode); the legend of Napoleon I, or the formation of the state as it still dominates today (François Barat episode); and the carnage of the Paris Commune, which official history strives to repress and forget (Joël Farges episode). What does it mean to make a historical film today? It means illuminating the present in the light of the past, and therefore adopting the new modes of modern storytelling to challenge what dominates us, structures us, and oppresses us.

Rod Taylor plays a United Nations bio-warfare disarmament expert whose lonely wife (Catherine Jourdan) has a steamy affair while she's away in France. But soon she finds out the hard way that her lover is not quite the charming and stable guy she thought he was, and starts to fear him and wonder about his true motives.

An elderly woman would like some company as her son is off venturing foreign lands and seducing women from lands afar. Her resident priest who seems to live in the same château as her does not agree and seems to have preconceptions and superstitions as to a family curse.

Inside an apartment, a young woman suffers from widespread distress. She lives alone in an attic with a skylight in the ceiling that is her only contact with the outside of Paris.