
Seiji Miyaguchi (宮口 精二 Miyaguchi Seiji, November 15, 1913–April 12, 1985) was a Japanese actor who appeared in such films as Akira Kurosawa's Seven Samurai (as Kyuzo, the master swordsman) despite the actor's confession to have never handled a sword before the role, Ikiru as a yakuza boss from "restaurant row," and Masaki Kobayashi's Kwaidan. He died of lung cancer. Description above from the Wik...
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Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Seven Samurai" (1954).

After a woman is framed for the murder of her fisherman husband, she seeks out a bloody revenge on the corrupt businessmen responsible.

A surreal, isolated village sees its inhabitants gradually leave behind their mutual traditions and superstitions as they leave for the city. Among them are two cousins who love each other and who get into a quarrel with other villagers.

Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.

Uta married a priest who saved her when she tried to commit suicide at a waterfall. The love triangle between a lustful priest, his second wife and his son Masao.

Rick, a down-and-out American boxer, is hired to transport a sword to Japan, unaware that the whole thing is a set up in a bitter blood-feud between two brothers, one who follows the traditional path of the samurai and the other a businessman. At the behest of the businessman, Rick undertakes samurai training from the other brother, but joins his cause. He also becomes romantically involved with the samurai's daughter.

A free-spirited girl living in a Japanese province spends her time working in a brothel and running with her dog. When her routine is shattered she gets on a path of hate and self discovery.

A Russian composer and Japanese pianist enter a relationship strained by their geographic and cultural boundaries.

Remake of 1949 film

An industrialist is diagnosed with terminal cancer. He is on a trip to Europe at the time, and a glimpse of a Japanese woman in that setting causes him to fantasize about her as the personification of his impending death. As his dialogue with his imagined mortality continues, he actually meets the living woman who is the template for his fantasy, and together they tour rural churches. Gradually he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges which profoundly test the lessons he has learned.
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