
Mark James Patrick Kermode is an English film critic and musician. He is the chief film critic for The Observer, contributes to the magazine Sight & Sound, co-presents the BBC Radio 5 Live show Kermode and Mayo's Film Review, and previously co-presented the BBC Two arts programme The Culture Show. Kermode writes and presents a film-related video blog for the BBC, and is a member of the British Aca...
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When Brian Epstein set foot in the Cavern Club in November 1961 to watch The Beatles perform, he saw something no one else could – a glimmer of gold. Sharply dressed and well-spoken, Brian was hardly the most obvious radical – but being Jewish, closeted and having grown up as an outsider who had failed at pretty much everything, he was a 26-year old with something to prove and who wanted to tear up the rulebook.

Jamie and Lucy have an encounter with what appears to be a pair of ghost children. But these spooky kids, Sara and Georgie, aren’t actually ghosts. They’ve travelled forwards in time to seek help, believing they’re going to be murdered by the wicked Mr and Mrs Wickens. And Lucy and Jamie’s strange visitor seems to be the key to it all. With his help, they must travel back to 1821 to save Sara and Georgie and redeem their remorseful new friend – The Amazing Mr Blunden.

A recorded Q&A hosted by Mark Kermode, where Pedro Almodóvar and Tilda Swintondiscuss the inspirations they drew on for the film, how THE HUMAN VOICE fits within the 'Almodóvar oeuvre', and what Pedro will be making next - including a great surprise for Tilda. Recorded under lockdown conditions, the discussion features visual references and clips to create a dynamic and interesting companion piece to the short film.

Benjamin, a rising star filmmaker, is on the brink of premiering his difficult second film No Self at the London Film Festival when Billie, his hard drinking publicist, introduces him to a mesmeric French musician called Noah.

An introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist, Sorcerer, Cruising, To Live and Die in L.A. and Killer Joe. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and the stories that have influenced his life and his artistic career.

Mark unwraps a glittering selection of Christmas cinematic treats, from much-loved classics to hidden gems, Hollywood blockbusters to international films, and reveals the film-making techniques and storytelling secrets that make them so successful.

Documentary featuring an intimate profile of American rock legend Meat Loaf, spanning from his childhood of domestic violence, through a decade of rejection by record companies to global fame, bust-ups and a major comeback.

Brand-new interviews with director Iain Softley, cast members Fisher Stevens, Matthew Lillard and Penn Jillette, costume designer Roger Burton, visual effects artist Peter Chiang, and more!

Following the recent death of Ken Russell, Alan Yentob looks back over the career of the flamboyant film director responsible for Women In Love, Tommy and The Devils. Friends and admirers - including Glenda Jackson, Terry Gilliam, Twiggy, Melvyn Bragg, Robert Powell and Roger Daltrey - recall a pioneering documentary-maker, talented photographer and fearless film director.

Lifting the lid on the world of cinema censorship, this programme has unique access to the files of the British Board of Film Classification. Featuring explicit and detailed exchanges between the censor and film-makers, 'Dear Censor' casts a wry eye over some of the most infamous cases in the history of the board. From the now seemingly innocuous Rebel Without a Cause, the first 'naturist' films and the infamous works of Ken Russell, and up to Rambo III, this frank and surprisingly warm documentary demonstrates how a body created by the industry to safeguard standards and reflect shifts in public opinion has also worked unexpectedly closely with the film-makers themselves to ensure that their work was able reach an audience.
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