Igor Vorobyev

The history of the confrontation between two worlds: the Grand Duchy of Moscow and the Ural Parma, the ancient Perm lands inhabited by pagans. Here heroes and ghosts, princes and shamans, Voguls and Muscovites will clash. At the center of the conflict of civilizations is the fate of the Russian prince Mikhail, who fell in love with the young Tiche, a witch-lamia capable of taking on the form of a lynx. Passion for the pagan and fidelity to forbidden love, a campaign against the Voguls, bloody battles and a short peace, the battle between Muscovy and Parma, the hero will face trials in which it is not so terrible to part with life as to commit treason.

Many years after a deadly terrorist siege in a Moscow theatre, survivor Natalya returns to the crime scene to hold a memorial evening, finally able to confront her survivor's guilt and her estranged daughter and husband.

Creative search for 20 year old heroes. Trauma as exhaustion or trauma as inspiration and the basis of creative impulse? Get out of a violent relationship and find self-confidence - is it possible? The story of two girls in modern Moscow.

A young Russian woman, trying to make it in the big city, is hired for an off-the-books government operation, which involves seducing and later exposing a number of prominent political opposition figures.

Masha Krapivina - is yet beautiful, and not that clever. She is just an ordinary girl, like thousands of her peers from different parts of the country, who risked to try to conquer Moscow and left their native country town.

Our eternal theme is crime and punishment. In Boris Godunov, the problems of conscience and existential choice are linked to the history of the country. Pushkin says that these things are woven into a mysterious knot or pattern. The choice of each of us is also the choice of our own history. An incorrect individual choice or a karmic mistake can lead to a chain of fatal events. If a person finds himself in power, it can become a problem for the whole people.

Our eternal theme is crime and punishment. In Boris Godunov, the problems of conscience and existential choice are linked to the history of the country. Pushkin says that these things are woven into a mysterious knot or pattern. The choice of each of us is also the choice of our own history. An incorrect individual choice or a karmic mistake can lead to a chain of fatal events. If a person finds himself in power, it can become a problem for the whole people.

Platon is completely at home in Moscow life. Successful, charming, and busy, he knows everyone in Moscow, and Moscow knows him. He makes money based on basic instincts. Contacts, connections, money, girls—he had it all. And everything was perfect until he met Lyubov.

Maxim Ilyin, an expert in the field of painting, a consultant for fashion magazines, a loner and a misanthrope, agrees to pose for the young artist. They make an appointment, but on the appointed day the girl does not come.

No plot available for this movie.