Marie-Hélène Arnaud

Presents a series of clips, love scenes taken from softcore films made in the 60s and 70s, and articulates the history and evolution of lesbian portrayals as they contrast to gay and straight cultures of the times.

Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.

A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.

A beautiful and sophisticated teenager is placed in a regimented French girls' boarding school after her father apparently commits suicide over a business scandal. She immediately gains admirers -- a lustful middle-aged artist, a handsome young composer, a fellow female student -- as well as a jealous rival. With the help of her schoolmates, she attempts to elope with the composer, but the adults catch on to the plot, and she is locked into her room at night.

Véronique Lanier runs one of the most highly rated haute couture houses in Paris. Her first partner is her husband Pierre, who has left aside a promising artist career to design the styles which make their firm a success. The trouble is that Véronique lives only for her job and does not allow herself -and her husband for that matter - a moment's respite. In Cannes, Pierre meets Wanda, a young singer with strange, fascinating eyes. The frustrated husband falls for her but gradually realizes that the light mercurial creature cannot possibly fulfill him. Véronique, feeling miserable, understands she is on the wrong track. She promises Pierre that she will make efforts to reconcile work and married life. Véronique and Pierre will live and work together again, each one forgiving the other for their faults.