Julia Franz Richter

Matthias is a master of pretense, from cultured boyfriend to perfect son or marital coach. He makes a career of being someone else. The real challenge begins when he has to be himself.

Forty-year-old Julia, a successful conductor, and her partner Georg are longing for a child when Dr. Vilfort, a fertility specialist with a private clinic, offers them hope with an experimental procedure. Julia becomes pregnant after successful treatment at the clinic. However, the birth does not go as planned and the baby is immediately taken away for additional treatment, leaving Julia and her husband in the dark about what has happened. When Julia is finally reunited with the child, she feels strangely distant. The baby’s presence puts a strain on their marriage as it becomes clear that Julia has doubts about whether the baby they have brought home is really hers.

Judith works as an emergency doctor in Berlin. When she inherits a house in Austria from the family who gave her away as a child, her quest to solve the mystery of her origins turns into a nightmarish journey into the past and the dark places of her soul.

After being imprisoned by the Assad regime in Syria, Hamid now works undercover as part of a secret group pursuing their leaders, including the guard he suspects was responsible for his torture.

Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

When Andreas arrives in the remote valley in the Austrian Alps, he is only about four years old - nobody knows for sure. He grows up to become a skilled farmhand and, as a young man, joins a work crew that builds one of the first mountain railroads, bringing light and noise to the valley along with electricity. He also finds the love of his life in Marie, but their happiness is short-lived. Only many years later, when Andreas embarks on his final journey, she is with him once again. And in amazement Andreas looks back at all the years that lie behind him.

Faruk Sego, a failed Bosnian writer facing deportation from Austria, must prove that he has made a cultural contribution to Austrian society. His last chance is an off-theatre troupe that can stage a play he wrote as a young man. Faruk's reluctant return to the theatre will force him to realise what is truly important in life.

Annika dreams of having a synthetic mermaid fin -- expensive fun for the supermarket cashier who longs for distraction from the worries of her everyday life.

Flooding in Krumau am Kamp: three infant bodies, two girls and a boy, are found in the basement of the Trummler family's farm, which has long been uninhabited. The children were suffocated immediately after birth and buried on the spot. A dark reputation precedes the Trummlers – the word "cursed" is used more than once, after the daughter's disappearance without a trace...

No plot available for this movie.