Claude Lévèque

Jacques Mayano, a French journalist who has lived a traumatic experience, is recruited by the Vatican to be part of a task force that must investigate the veracity of a supernatural apparition allegedly happened in a small French village.

No plot available for this movie.

A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro Abrunhosa, a poet and performance artist. He also loves her. She keeps her distance from him, confessing her love to a friend who is a nun and, later, to her husband. Hunger for her love and jealousy consume him; she attends him as he wastes away. With his death, she can marry and express her passion, but what she does and how she explains herself, particularly to her cloistered friend, is at the heart of the film. Glimpses of convent life and of Abrunhosa on stage give contrast and mute comment.

A father falls in love with his teen daughter's friend. A passion against conventions which will carry them away in a whirlwind of sensations where love finds itself confronted despite everything else with reason and social decency.

On the run from an asylum for the insane, two girls embark on a surreal journey with a group of traveling erotic dancers.

At the turn of the century, an unusual woman refuses to become an object to be desired or played with. Instead she wants to succeed on the stage of politics in the Third Republic.

Because "Tante Zita" main theme is death: a twenty-year old girl, Annie (Shimkus) lives with her mother and her aunt (both played by first-class actresses Suzanne Flon and Katina Paxinou). The auntie is dying, and for the first time in her life, Annie has to cope with death. One night, she finds it too hard to bear, and leaving home where the old woman is suffering, she begins to hang around in Paris. She will meet people, and, from dusk to dawn, she will learn to leave her childhood behind and to grow into a woman.