Elin Reimer

A drama about a boy who's inspired by Dr. Martin Luther King Jr. and challenges repressive school authority in 1969 Denmark.

A man grows up in very modest circumstances in the early years of the 20th century, but his diligence, intelligence and willingness to endure hardship helps him to become a leading brain surgeon. A success story on the face of it, but a story about a man – who is none other than the director's father – a man of powerful emotions. The film explores the nature and origin of the guilt that repeatedly deprived him of happiness.

The Krunborg family has new problems: a freshly painted house that won't dry, a tent with holes and a car that won't go anywhere and much much more.

Everything is normal with the Krumborg family – but when you know them, nothing can surprise you anymore. The two robbers Boris and Ivan want to kidnap Krumme. Krumme wants to learn to ride a horse. Mom wants a healthy Christmas. Dad doesn't want a healthy Christmas. And it's hardly surprising that Krumme's Christmas present for Yrsa ends up under Mrs. Olsen's bed, or that caretaker Svendsen tries to repair Mrs. Olsen's sink – even though it's not broken. And the youngest member of the family, Grunk, has eaten all the Christmas decorations. Yes, everything is completely normal in the Krumborg family...

Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.

The tween, Mads, finds it hard to fit in. Having feelings for a girl in class and a clumsy farther who is a teacher at his school doesn't help. By an unforeseen chance of events, Mads becomes somewhat of a hero, but will he win the girl?

Four young people, two girls and two boys, are about to graduate from high school. Their parents belong to the 1968 generation, so they have never encountered authority or serious demands, but are used to behaving as they see fit. They have a great appetite for life, but also a certain fear of the future. Their lives are only secure on the surface. One experiences a family tragedy, another has become addicted to drugs and ends up committing suicide.

FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...

Benny and Arnold are homeless and along with others living on Nørrebro in Copenhagen. The police is set to clear the building they squat in, but on the night of the forced eviction, local acid head Spacy jumps from the sixth floor.

An uptight young man and his equally uptight family moves next door to a hedonistic clan, including the beautiful, sexy Topsy, who charms the new neighbor boy Tom. But Tom discovers that the price of loving Topsy may be higher than he's willing to pay -- she insists on absolute honesty and a life and love without possession or exclusivity.