John Schlesinger

illustrates how directors pushed boundaries and altered the art of filmmaking during the turbulent, swinging 1960s. Narrated by Woody Harrelson, "Reel Radicals" features clips from such seminal films as Arthur Penn's "Bonnie and Clyde" (1967); Mike Nichols' "The Graduate" (1967); Dennis Hopper's "Easy Rider" (1969); John Frankenheimer's "The Manchurian Candidate" (1962); Stanley Kubrick's "Dr. Strangelove" (1964) and "2001: A Space Odyssey" (1968); John Schlesinger's "Midnight Cowboy" (1969); Richard Brooks' "Elmer Gantry" (1960) and "In Cold Blood" (1967); and Norman Jewison's "In the Heat of the Night" (1967) and "The Thomas Crown Affair" (1968). Frankenheimer, Jewison, Hopper, Schlesinger, Penn, Buck Henry, Paul Mazursky, Roger Corman and Arthur Hiller are among the filmmakers who discuss the decade.

Ekchart Schmidt examines the machinery behind the dream factory; the Hollywood myth is unmasked. How does the studio industry work? What role does marketing and the hype surrounding the stars play?

A woman discovers her unborn baby has a genetic predisposition to homosexuality, unwittingly exposing deep-seated prejudices within her family.

Exuberant, eye-opening movie that serves up a dazzling hundred-year history of the role of gay men and lesbians have had on the silver screen. Film contains fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s.

When a young gay man comes out of the closet, his friends support him, but when he comes out to his parents, he stirs up a wealth of hidden feelings and secrets in their relationship.

Documentary is about the life and work of American screenwriter Waldo Salt who won two Academy Awards and was put on the Hollywood blacklist in the 1950s. The story is told through interviews with collaborators and friends such as Dustin Hoffman, Robert Redford, Jon Voight, John Schlesinger and with clips from Salt's films, chiefly Midnight Cowboy.

A couple works hard to renovate their dream house and become landlords to pay for it. Unfortunately one of their tenants has plans of his own.

Producer Robert Evans dominates with his trademark promotional style, but Schlesinger gets a short time on camera (one of his few available interviews about the film), and Hoffman has even more. A highlight is the celebration of Olivier's final shooting day, complete with speeches and a toast.

Two of Britain's leading film directors - John Schlesinger and Gerald Thomas - share the anxiety, hopes and risks experienced by those involved with the movie industry. The Big Screen follows the production of four British films: the eighth James Bond film Live and Let Die, The Optimists of Nine Elms, science fiction-thriller The Final Programme and The 14. Actors Peter Sellers, David Hemmings, Jon Finch, Roger Moore and Jenny Runacre are among those seen at work.

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.